The entry begins:
The Mercenary was written with great attention to setting, place, and atmosphere. Of course those are appropriate for a spy novel set in Moscow in 1985 at the end of the Cold War. An American, Alex Garin, formerly of the CIA, is brought back to Moscow Station to help exfiltrate a senior KGB officer who wants to defect. It’s a dreary city, Americans are under constant surveillance, and danger is everywhere. When I wrote the novel, I saw my characters in visual settings and dialogue drives most scenes. In this sense, The Mercenary, feel cinematic. I have chosen to cast the movie with actors from the past or from earlier in their careers.Visit Paul Vidich's website.
The Mercenary, the movie, ideally would be directed by Carol Reed, the English film director best known for Odd Man Out (1947), The Fallen Idol (1948), and The Third Man (1949). I am a huge fan of The Third Man and the dark, atmospheric world of Post-War Vienna that Reed created in his classic film. Vienna in 1948 was controlled for the four major powers and it was a city where everyone had a racket, food was rationed, and many people were desperate for a new life. The movie captures the city’s numbing grimness, and my novel tries to capture the same pervasive grimness of Moscow thirty-five years later.
Natalya, the book’s female protagonist, is both a spy and the novel’s romantic interest. I see her...[read on]
Q&A with Paul Vidich.
My Book, The Movie: The Mercenary.
--Marshal Zeringue