D.W. Buffa was a criminal defense attorney for 10 years and his Joseph Antonelli novels reflect that experience. The
New York Times called
The Defense "an accomplished first novel" which "leaves you wanting to go back to the beginning and read it over again."
The Judgment was nominated for the Edgar Award for best novel of the year. The latest Joseph Antonelli novel is
The Privilege.
Buffa writes a monthly review for the Campaign for the American Reader that we're calling "Third Reading." Buffa explains. "I was reading something and realized that it was probably the third time that I knew it well enough to write something about it. The first is when I read it when it was in college or in
my twenties, the second, however many years later, when I wanted to see if it was as good as I remembered, and the third when I knew I was going to have to write about it."
Buffa's "Third Reading" of Conrad's Lord Jim begins:
Time moves backward, all our dreams of the future become part of an irredeemable past, what happened long ago the mark of Cain, if we are unfortunate, the burden of our existence, something we do not want to remember and can never forget. It is what Joseph Conrad tells us Marlow tells a few friends, seamen like himself, men who often listen to Marlow tell stories about the sea. Marlow tells them, not just what he observed about a young ill-fated Englishman called Jim, not just what Jim has told him, but what others told him as well, the partial stories that shed their different light on a man who wanted to be a hero and, on the occasion when he could have shown great courage, acted the coward instead. Marlow tells the story of a failed romantic, a hero in all his youthful 19th century dreams, the story of how, because of that failure, he became Lord Jim.
Marlow tells the story, but only after the story is well under way. Jim is a young officer on a rusted out old merchant ship called Patna which is transporting eight hundred Muslim pilgrims across the Indian Ocean. Staring out across a calm and endless sea glimmering in the light of a thousand shining stars, he “seemed to gaze hungrily into the unattainable, and did not see the shadow of the coming event.” His thoughts were “full of valorous deeds: he loved these dreams and the success of his imaginary achievements.” Suddenly, without warning, the ship hits something and the bow starts to rise straight up. Jim hurries below to inspect the single thin bulkhead and discovers that it is about to buckle and break apart. There are only minutes, perhaps only seconds, before the ship sinks and everyone on it goes down to their death. The captain and the other officers...[read on]
About Buffa's new novel The Privilege, from the publisher:
Joseph Antonelli, who never lost a case he should have won and won nearly every case he should have lost, is about to see his client, Justin Friedrich, convicted for a crime he did not commit. His wife was found shot to death in the bedroom of their 
yacht in the San Francisco marina, and Friedrich does not have a chance. But then the real killer approaches Antonelli…
Famous and enigmatic, James Michael Redfield, the head of a high tech company that leads the world in the development of artificial intelligence, Redfield gives Antonelli evidence that proves Friedrich is innocent. But why did Redfield wait until the last minute to give Antonelli this proof?
Before Antonelli can even begin to solve that riddle, there is another murder, and Antonelli finds himself an unwilling participant in a conspiracy he does not understand. Antonelli has never known anyone like James Michael Redfield. Because for Redfield, it isn’t about murder at all; it is all about the trial. Because only a trial can show the world what Redfield believes it needs to know…no matter how many people need to die.
Visit
D.W. Buffa's website.
Third reading: The Great Gatsby.
Third reading: Brave New World.
Third reading: Lord Jim.
--Marshal Zeringue
was both an Audible Plus #1 Listen and Associated Press Top Ten U.S. Audiobook.
toxicity and pain. I can also readily envision being forced home. Happens all the time because life happens all the time. You need help getting back on your feet, and you sacrifice safety and well-being for food and shelter. Cottonmouths (Sky Horse) by Kelly J. Ford unpacks devastating homecomings, generational cycles of abuse and poverty, and a Gothic bleakness so sharp, you know shit’s gonna get real bad, real fast. But you’ll also find company Ford’s beautifully drawn characters. Emily, the college drop-out forced to confront a painful past while surviving a just-as-painful present. The “heroin-chic” Jody, Emily’s unrequited high school love whose own life has taken a dark turn. Chickens, lesbians, and meth aside (what a pitch!), Ford delivers a narrative about how far we’ll go to chase those three, frighteningly powerful words: I love you.
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