How much work does your title do to take readers into the story?Visit Arvind Ethan David's website.
Titles are hard, man, really hard. The title was literally the last thing that got done on this book, and it is not the title I started with. The book starts as a historical murder mystery. It escalates into a conspiracy thriller and then gradually evolves into a rather pointed examination of empire and imperialism.
Oh, and amongst its major characters are an aging Sherlock Holmes and a young Winston Churchill. It was a challenge to get all of that in a title.
Other contenders included The Dread and the Envy, which I thought he had a certain Imperial cadence, but was dismissed for being too niche. For a while, I was very keen on The Good Colonial, which felt reminiscent of Graham Greene and John le Carré, in whose tradition I would be delighted to sit. Ultimately, The Great Game won because it conjures a certain Sherlockian tone whilst also explicitly referencing the historical spy craft and statecraft between the great imperial powers in the 19th century (while also paying tribute to Rudyard Kipling and his book about another spy caught between two cultures, Kim).
Now that we have it, it feels like...[read on]
Q&A with Arvind Ethan David.
--Marshal Zeringue








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