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The Upstairs House is about a new mother who is either experiencing postpartum psychosis, or being haunted by the ghosts of the author Margaret Wise Brown and her female lover. I’d love to see the film embrace all the messy, claustrophobic, feminist fractals of the novel—I envision a film that jumps between 1940s Manhattan and present-day Chicago, a film that blurs the line between fantasy and reality so that the viewer is just as unsettled as Megan, the protagonist.Visit Julia Fine's website.
Of the three lead characters, two are recent historical figures. I’ve tried to do their real-life counterparts justice in fiction, and in casting them I’d want to stick as close to their general real-life vibes as possible. Margaret Wise Brown was quirky and extravagantly generous and at the same time prickly. I envision an actress like Ruth Wilson or Kate Winslet in the role, someone who looks enough like Margaret in photographs, and could show us the vulnerability hiding underneath her many layers.
Michael Strange, Margaret’s partner of ten years, was a strong personality. She was extremely charismatic, and often very bossy—she definitely requires an actress with...[read on]
My Book, The Movie: The Upstairs House.
--Marshal Zeringue