At LitHub she shared an essential reading list of Midwestern novels by women. One title on the list:
Lorrie Moore, A Gate at the StairsRead about another entry on the list.
In some sense, this novel belongs to a tradition of coming-of-age stories in which a rural young woman arrives in the city (Dreiser’s Sister Carrie, Hamlin Garland’s Rose of the Dutcher’s Coolly). But in deference to the realities of the contemporary Midwest, the rural-urban divide in this novel is less a binary than a spectrum. Tassie, the young narrator, grows up on a farm, but it’s a small hobbyist outfit devoted to heirloom potatoes, and her father is eccentric enough that the neighbors find him suspicious. Moore is better than any contemporary writer on the perils of pretentiousness in the Midwest, a place in which painting one’s barn the wrong color—Tassie’s father opts for a whimsical blue and white, rather than the standard red—can doom one to social opprobrium. If Tassie’s family is too enlightened for the countryside, she finds herself equally alienated when she leaves for university in a more populous college town—the fictional city of Troy—where she confronts professors who hold forth on “Henry James’s masturbation of the comma” and where she finds herself staring bewilderedly at the menus of posh French restaurants that “served things that sounded like instruments—timables, quenelles.”
--Marshal Zeringue