The entry begins:
The producer who lands the movie rights for Blood on the Chesapeake will discover very fertile cinematic ground. Complex and layered characters of different ages, breathtakingly beautiful settings of small seaside towns, and scenes upon the majestic Chesapeake Bay that are sometimes tranquil and picturesque and other times terrifying and harrowing, will combine to make the movie version compelling and memorable. Throw in the eerie quality of the ghost story and the puzzle that viewers get to unravel along with our heroes and you have the potential for successful moviemaking. Even the demographics are right for film audiences. The story features two heroic couples, one in their teens and a second in their twenties, both struggling against the status quo. For good measure, there is even another pair of good guys, a couple in their forties. And perhaps, most important, the story at the core—the tragedy of racial injustice—is as real and raw today as it was in the earlier decades depicted in the narrative.Follow Randy Overbeck on Twitter, friend him on Facebook, and check out his webpage.
Ah, but all of this begs the question, where would you find such a broad cast to pull off this cinematic accomplishment? I’ve seen my share of movies—though I must confess I usually prefer the book version—but I’m no expert. Still, I take a stab at playing casting director.
For Darrell Henshaw, our flawed but focused ghost hunter and protagonist (not to mention high school teacher and football coach) I think I’d tap Logan Lehman. He can pull off the almost handsome look of Darrell and has shown the range to be able to capture both Darrell’s terrors and triumphs. His partner, Erin Caveny, would be played by...[read on]
Writers Read: Randy Overbeck.
My Book, The Movie: Blood on the Chesapeake.
--Marshal Zeringue