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As I wrote Sam Peckinpah, a Revolution in Hollywood, and the Making of a Legendary Film, it actually did play out like a movie in my mind, though my book is a nonfiction work about, well, the making of a movie. My book had a definite story arc built around this question: Could an artist, in this case Sam Peckinpah, be able to achieve a second act in American life after squandering his first? Peckinpah had been blacklisted in Hollywood during the mid-1960s, not for political reasons, but because of his “difficult” personality and alcoholism. It was not clear at all whether he would be given a chance to return to the director’s chair for a big screen production. When, through almost a fluke set of circumstances, he wound up with the opportunity to direct The Wild Bunch, it was a make it or break it proposition. He had to succeed in order to have a career as a director.Visit W. K. Stratton's website.
The Wild Bunch is an outlaw picture, a story concerning the complicated relationships among men on the edge, set along the U.S.-Mexico border during the Mexican Revolution. Peckinpah felt kinship to the characters in his greatest movie. Yet he was also a soft-spoken man with a somewhat slight build who was well educated and very well read. He put himself through enormous hardships in Mexico during the filming of his movie.
Years ago, I kicked around the notion of a movie about the making of Peckinpah’s notorious Bring Me the Head of Alfredo Garcia. For that dream picture, I saw Tommy Lee Jones playing Peckinpah. But now, for a movie about the making of The Wild Bunch, I think I’d choose...[read on]
Writers Read: W. K. Stratton.
My Book, The Movie: The Wild Bunch.
--Marshal Zeringue