His entry begins:
I was in a reading funk—kept starting things and putting them down—and then Elle Nash’s Animals Eat Each Other broke me out of it. I picked it up because it’s got a killer cover by Matthew Revert and I’ll pick up anything with a Revert cover; I was glad to find killer prose to match. Some books just hit you at the right time and this one has that raw, desperate feeling I long for in fiction. I don’t think Elle Nash would describe herself as a noir writer, but this sure feels like noir to me: doom rules the mood, to crib a line from Barry Hannah. It reminded me at various times of Susanna Moore’s In the Cut, Vicki Hendricks’s Miami Purity, and Denis Johnson’s Jesus’ Son, with maybe a dash of Jean Rhys mixed in there. A compelling-as-hell look at desire and obsession. So much of the tension comes from...[read on]About Gravesend, from the publisher:
In this masterful work of neo-noir, William Boyle expertly captures the grit and desperation of a neighborhood in flux, and spotlights the neighbors who find themselves caught up in the crimes of the past.Visit William Boyle's website.
Some worship him and some want him dead, but either way, tensions run high when “Ray Boy” Calabrese is released from prison. It’s been sixteen years since Ray Boy’s actions led to the death of a young man. The victim's brother, Conway D'Innocenzio, is a 29-year-old Brooklynite wasting away at a local Rite Aid, stuck in the past and drawn into a darker side of himself when he hears of Ray Boy’s freedom. But even with the perfect plan in place, Conway can’t bring himself to take the ultimate revenge on Ray Boy, which sends him into a spiral of self-loathing and soul-searching.
Meanwhile, Alessandra, a failed actress, returns to her native Gravesend after the death of her cancer-stricken mother, torn between the desperate need to escape back to Los Angeles as quickly as possible and the ease with which she could sink back into neighborhood life. Alessandra and Conway are walking eerily similar paths—staring down the rest of their lives, caring for their aging fathers, lost in the youths they squandered—and each must decide what comes next.
In the tradition of American noir authors like Dennis Lehane and James Ellroy, William Boyle’s Gravesend brings the titular neighborhood to life in this story of revenge, desperation, and escape.
My Book, The Movie: Gravesend and The Lonely Witness.
The Page 69 Test: Gravesend and The Lonely Witness.
Writers Read: William Boyle.
--Marshal Zeringue