The entry begins:
A film based on The Birth of Modern Theatre? Why not? The book has plenty of action, taking place both on and off the stage, as well as fascinating characters: love affairs and romances; bitter backstage rivalries and close friendships; audiences that consider themselves essential participants in the theatrical experience and riot when they don’t care for a play or a performer; a criminal trial over a claimed sexual assault; a zany restaurant and lecture center run by an eccentric actor; an out-of-control bigamous duchess; and much more.Learn more about The Birth of Modern Theatre: Rivalry, Riots, and Romance in the Age of Garrick.
So who should play the leading roles in the film? I have a few suggestions.
The most important character in the book is David Garrick, actor, playwright, and theatre manager, a man of short stature (only 5 foot 4) but with boundless energy and talent to match. He was as compelling in comedies and farces as in Shakespeare’s tragic roles. His management of the Drury Lane theatre for thirty years made it the envy of Europe. He charmed everyone: dukes and earls sought him out; his circle of friends included artists, politicians, and judges. His marriage to a Viennese dancer was a lifelong romance. My choice to play David Garrick is the versatile Dustin Hoffman.
Peg Woffington was the leading actress of her day. She was slightly taller than average, with a graceful figure, luminous eyes, and soft, full lips. The word “witchcraft” was...[read on]
My Book, The Movie: The Birth of Modern Theatre.
--Marshal Zeringue
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