books of poetry. Her chapbooks include Lullaby: Speculations on the First Active Sense; Ventifacts; Atalanta: an Anatomy; a collaboration with Jeff Clark, Question Like a Face, a Brooklyn Rail Best Nonfiction Book of 2017, and A Different Shade for Each Person Reading the Story. She recently curated and introduced two issues, on #MeToo and on Girlhood, of the American Book Review. Since 2001, she has been faculty in the Creative Writing program at Eastern Michigan University.
At Electric Lit, Hume tagged ten "modern stories that turn patriarchal folklore on its head," including:
Salvage the Bones by Jesmyn WardRead about another entry on the list.
I exchanged letters last year with a writer incarcerated in Texas (through Deb Olin Unferth’s marvelous PenCity Writers Program) about Salvage the Bones by Jesmyn Ward. He was especially vivid at accounting for the way Ward uses fractured and recombinant myth (ancient Greek, biblical, American South) to pick up narrative speed.
Salvage the Bones is among Michelle Sacks's five books with complex and credible child narrators, Amy Brady's seven books that provocatively tackle climate change, Jodi Picoult's six recommended books, Peggy Frew's ten top books about "bad" mothers, and Jenny Shanks's five least supervised children in literature.
--Marshal Zeringue
Posts
