The entry begins:
This feels a little like Fantasy Football for book geeks, so I’m super thrilled to play. Writing a picture book is like being the groom at a wedding – you play a vital role, but you are also irrelevant.Visit Garret Freymann-Weyr's website and view the video trailer for French Ducks in Venice.
So being an imaginary casting director is a job promotion....
Our story, such as it is, concerns two ducks, Georges and Cecile, who must cope with the fact that their parental figures (a magical dressmaker, Polina Panova, and an equally magical filmmaker, Sebastian Sterling) have split. Sebastian Sterling goes away one morning, never to return. Polina, as result, is sad, which enrages Georges, who wishes to comfort his beautiful mother figure. He goes on a quest for a perfect present and brings her some magical light.
I may have overdone the whole magical element in this description to the point that if you read this far, you want to throw up in your mouth a little, but it works as a story ... you will have to trust me on this.
On to the casting.
Because two of the main characters are ducks, this would probably involve some kind of animation or voice work but, given this is a game of pretend, I’m going to stick with actors whose face or personalities remind me of my characters. Since I based both Polina Panova and Sebastian Sterling on my beautiful, talented, and mysterious sister who is a 1st A.D. and a director, I have to pick Sandra...[read on]
My Book, The Movie: French Ducks in Venice.
--Marshal Zeringue