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The best part about writing a detective story during the 1950s is getting to immerse your main characters into one of the most interesting and tumultuous times of American media. Daydreaming about my characters on the silver screen was as natural as having those same characters talk about Humphrey Bogart taking a turn in The Maltese Falcon.Visit Emily J. Edwards's website.
Viviana Valentine Gets Her Man is a mid-century, Private Investigator murder mystery. Viviana is the Girl Friday to New York City’s best P.I., Tommy Fortuna. One day, they gain a new client, the industrialist Tallmadge Blackstone, who has asked Tommy to trail his young daughter, Tallulah. The next day, a body shows up in Tommy’s office, and Tommy is M.I.A. Viviana takes on the cases in an effort to keep the police from pinning the murder on her boss.
When I was writing, it was most important for me to imagine not who was going to play my leading lady, Viviana Valentine, but who was going to play the supporting cast. While Viv was very hard to #DreamCast for a film version (but you’ll see who I chose eventually!), the supporting characters were not.
First and foremost, I knew that the character of Tommy Fortuna, Viv’s boss, best friend, and private investigator, had to have that effortless cool and a rugged masculinity, but more than anything, he believes in Viviana and her capabilities. I needed someone who had his own identity and sure looked good in a suit, but would watch Viviana work with a smile on his face and awe in my heart– but also be able to deliver a one-liner without flinching. In my mind, Dustin Milligan, better known as Ted from Schitt's Creek, made an excellent Tommy Fortuna.
Secondly, I had to cast one of Tommy’s clients, a mean sonofab**** who has oodles of money and looked like he was up to no good. His name is Tallmadge Blackstone and at one point in the novel, he looks very large and menacing. Now, most...[read on]
My Book, The Movie: Viviana Valentine Gets Her Man.
--Marshal Zeringue
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