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Of course, I would say this – but I reckon any director would love to be handed the task of turning The 3rd Woman into a movie. I’d like to think that’s because it's a gripping story full of twists and turns, with a compelling central character. But, if I'm honest, what would surely prove irresistible to a moviemaker is something much more straightforward: the setting.Visit Jonathan Freedland's website.
The 3rd Woman is set in a Los Angeles – and an America – that is a lot like today’s, but with a crucial difference. This America is getting used to the fact that it is no longer number one on the planet, having lost its place as the global superpower to China. In this LA, the slang, the food, the calendar, even the air people breathe is different. There are Mao-themed restaurants. Everyone covers their faces to keep out the smog. In late January, red lanterns hang from the trees to mark the Chinese new year. And looming over the city is a vast, secretive Chinese military base.
I suspect an imaginative director – whether Ridley Scott or Danny Boyle – could have great fun creating this new, subtly different LA. They needn’t go full Bladerunner. At first glance this city would look like the Los Angeles we all know. Only on closer inspection would it reveal itself as ever so slightly changed - if not warped.
What about the cast? At the centre of The 3rd Woman is Madison Webb, a dogged investigative reporter whose skill in the professional realm is matched only by the chaos in the personal one. She’s a brilliant and resourceful journalist, but a pretty hopeless girlfriend, daughter and sister. She’s also a chronic insomniac, kept awake by...[read on]
My Book, The Movie: The 3rd Woman.
--Marshal Zeringue