The entry begins:
Woman Enters Left takes place in the 1920s and the 1950s over two cross-country road trips—one with an aspiring screenwriter driving a Model T towards hopeful fame in Hollywood, the other with a jaded actress driving across Route 66 to escape that same Hollywood. In each storyline, I tried to evoke films from that era—1950s Louise narrates a story in widescreen Technicolor and, in the 1920s, Ethel and Florrie tell theirs like a silent movie, through written words (in their case, diaries instead of intertitles) and close-ups of expressive faces. As I wrote the book, I watched a lot of movies from both eras and called it “research,” so when asked to mentally cast the film version of Woman Enters Left, I can’t help but do it with actors from those eras. So if you will indulge me….Learn more about the book and author at Jessica Brockmole's website, and follow her on Facebook and Twitter.
Florrie, the screenwriter with the Model T and a big secret, is all quiet emotion. On the screen, she’d be the one with big, expressive eyes, emoting for all she’s worth to the close-up shots. With delicate features and what her best friend Ethel describes as hair “like Botticelli’s Venus,” I see her as played by an actress like Maud Fealy or...[read on]
The Page 69 Test: Letters from Skye.
My Book, The Movie: Letters from Skye.
My Book, The Movie: Woman Enters Left.
--Marshal Zeringue