At the Guardian Sherwood tagged her top ten female spies in fiction, including:
Moonraker, Ian Fleming (1955)Read about another entry on the list.
When Fleming sat down to write Casino Royale in 1952, he intended to “write the spy story to end all spy stories”. He did, reinventing the genre and creating an icon. Fleming is less known for his female characters, perhaps overshadowed by their cinematic incarnations and the trope of the “Bond girl.” It’s a shame, because Fleming invests them with rich back stories and motivations. Best of all is cool-headed and capable Gala Brand, a special branch agent embedded with suspicious rocket-engineer Drax. It’s Brand’s mission that Bond joins, and her first impression is damning: “He could probably shoot all right and talk foreign languages and do a lot of tricks that might be useful abroad. But what good could he do down here without any beautiful spies to make love to.” The tender relationship that emerges delivers the most poignant ending to any Bond novel.
--Marshal Zeringue