Wednesday, July 21, 2021

Six thrillers in which the natural world is a character

Elisabeth de Mariaffi is the critically acclaimed author of four books: the Scotiabank Giller Prize-nominated short story collection How to Get Along with Women (2012), the literary thriller The Devil You Know (2015), and the 1950s-era Hitchcock-style thriller, Hysteria (2018), both of which were named Globe and Mail Best Books of the year, and shortlisted for the Thomas Raddall Atlantic Fiction Prize.

Her newest novel, The Retreat, is about a dancer who must separate truth from lies in order to survive a deadly storm at a remote mountain arts retreat.

At CrimeReads de Mariaffi tagged six favorite "books that use monstrous nature not only as a setting—but as a true character in the story." One title on the list:
Fierce Kingdom by Gin Phillips

Wild animals are again a theme in this suspense novel about Joan, a mother on what seems like a regular afternoon trip to the zoo with her young son—until a shooter comes through the gate just before closing time. Joan has to use her knowledge of the zoo’s pathways and exhibits to survive a deadly game of hide-and-seek—keeping herself and her four-year old safe from a gunman who is hunting humans.
Read about another entry on the list.

Fierce Kingdom is among Jenny Milchman's ten thrilling mothers in fiction, Christina McDonald's eight thrillers featuring moms on a mission, Sarah J. Harris's eight mysteries with images that might stay with you forever and Mary Kate Carr's eleven recent novels that powerfully tackle gun violence.

The Page 69 Test: Fierce Kingdom.

--Marshal Zeringue

Tuesday, July 20, 2021

Q&A with Amy Makechnie

From my Q&A with Amy Makechnie, author of: Ten Thousand Tries:
How much work does your title do to take readers into the story?

Ten Thousand Tries immediately alludes to a theory that Malcom Gladwell made famous and which my main character, Golden, seizes upon: that you can master anything by doing it ten thousand times. (Gladwell also says this does not apply to sports, but I wasn’t about to tell Golden that!) Golden is convinced that with enough effort, he can take his team to the soccer championship, stop Lucy Littlehouse from moving away, and prevent his dad from losing to the three worst letters in the alphabet: A-L-S. The title is wonderfully alliterative and works well, but the original title was When We Were Golden. Even now I am...[read on]
Visit Amy Makechnie's website.

Q&A with Amy Makechnie.

--Marshal Zeringue

Pg. 99: Kristy L. Slominski's "Teaching Moral Sex"

Featured at the Page 99 Test: Teaching Moral Sex: A History of Religion and Sex Education in the United States by Kristy L. Slominski.

About the book, from the publisher:
Whose job is it to teach the public about sex? Parents? The churches? The schools? And what should they be taught? These questions have sparked some of the most heated political debates in recent American history, most recently the battle between proponents of comprehensive sex education and those in favor of an “abstinence-only” curriculum.

Kristy Slominski shows that these questions have a long, complex, and surprising history. Teaching Moral Sex is the first comprehensive study of the role of religion in the history of public sex education in the United States. The field of sex education, Slominski shows, was created through a collaboration between religious sex educators-primarily liberal Protestants, along with some Catholics and Reform Jews-and “men of science”-namely physicians, biology professors, and social scientists. She argues that the work of early religious sex educators laid the foundation for both sides of contemporary controversies that are now often treated as disputes between “religious” and “secular” Americans.

Slominski examines the religious contributions to national sex education organizations from the late nineteenth century to the early twenty-first. Far from being a barrier to sex education, she demonstrates, religion has been deeply embedded in the history of sex education, and its legacy has shaped the terms of current debates. Focusing on religion uncovers an under-recognized cast of characters-including Quaker and Unitarian social purity reformers, military chaplains, and the Young Men's Christian Association- who, Slominski deftly shows, worked to make sex education more acceptable to the public through a strategic combination of progressive and restrictive approaches to sexuality.

Teaching Moral Sex highlights the essential contributions of religious actors to the movement for sex education in the United States and reveals where their influence can still be felt today.
Visit Kristy L. Slominski's website.

The Page 99 Test: Teaching Moral Sex.

--Marshal Zeringue

Eight books about childhood friendships throughout the years

Zak Salih earned his BA in English and Journalism from James Madison University, and his MA in English from the University of Virginia. His fiction and nonfiction have appeared in Foglifter, Epiphany, Crazyhorse, The Florida Review, The Chattahoochee Review, The Millions, Apogee Journal, Kenyon Review Online, the Los Angeles Review of Books, and other publications.

Let's Get Back to the Party is his debut novel. He lives in Washington, D.C.

At Electric Lit Salih tagged eight books about childhood pals—and the adults they become, including:
The Nickel Boys by Colson Whitehead

Friendship in a dangerous world is also the subject of Colson Whitehead’s most recent novel, set at a reform school where abuse (physical and psychological) runs rampant. Elwood Curtis and Jack Turner have competing ideas of what it takes to survive in a world set against you. The novel’s surprising and emotionally satisfying ending, set decades later, proves just how much our childhood friends can shape us.
Read about another entry on the list.

--Marshal Zeringue

Monday, July 19, 2021

Joe Clifford's "The Shadow People," the movie

Featured at My Book, The Movie: The Shadow People by Joe Clifford.

The entry begins:
If they make my book into a movie … they can put anyone they damn well please in whatever role they want as long as I get paid!

Not like I’d get a say anyway. But to play along…

I could see Tom Holland as Brandon. I could see a lot of other actors as well. Brandon is meant to be an everyman, and as such I think any number of reasonably attractive, likable twenty-somethings could pull it off. The role of Francis, however, is more specific. Writing this novel, I kept envisioning...[read on]
Visit Joe Clifford's website.

The Page 69 Test: The Lakehouse.

My Book, The Movie: The Lakehouse.

Q&A with Joe Clifford.

My Book, The Movie: The Shadow People.

--Marshal Zeringue

Pg. 69: Hermione Hoby's "Virtue"

Featured at the Page 69 Test: Virtue: A Novel by Hermione Hoby.

About the book, from the publisher:
A powerful novel of youth, desire, and moral conflict, in which a young man is seduced by the mirage of glamour—at terrible cost.

Arriving in New York City for an internship at an elite but fading magazine, Luca feels invisible: smart but not worldly, privileged but broke, and uncertain how to navigate a new era of social change. Among his peers is Zara, a young Black woman whose sharp wit and frank views on injustice create tension in the office. Luca is equally drawn to an attractive and wealthy white couple—a prominent artist and her filmmaker husband—whose lifestyle he finds alien and alluring. As summer arrives, Luca is swept up in the fever dream of their marriage, joining them at their beach house, and nurturing an infatuation both frustrating and dangerous. Only after he learns of a spectacular tragedy in the city he has left behind does he begin to realize the moral consequences of his allegiances.

In language at once lyrical and incisive, Hermione Hoby (“a writer of extreme intelligence, insight, style and beauty” —Ann Patchett) offers a clear-eyed, unsettling novel of the allure of privilege and the costs of complacency.
Visit Hermione Hoby's website.

Writers Read: Hermione Hoby (January 2018).

The Page 69 Test: Virtue.

--Marshal Zeringue

Pg. 99: Kate Fortmueller's "Hollywood Shutdown"

Featured at the Page 99 Test: Hollywood Shutdown: Production, Distribution, and Exhibition in the Time of COVID by Kate Fortmueller.

About the book, from the publisher:
By March 2020, the spread of COVID-19 had reached pandemic proportions, forcing widespread shutdowns across industries, including Hollywood. Studios, networks, production companies, and the thousands of workers who make film and television possible were forced to adjust their time-honored business and labor practices. In this book, Kate Fortmueller asks what happened when the coronavirus closed Hollywood.

Hollywood Shutdown examines how the COVID-19 pandemic affected film and television production, influenced trends in distribution, reshaped theatrical exhibition, and altered labor practices. From January movie theater closures in China to the bumpy September release of Mulan on the Disney+ streaming platform, Fortmueller probes various choices made by studios, networks, unions and guilds, distributors, and exhibitors during the evolving crisis. In seeking to explain what happened in the first nine months of 2020, this book also considers how the pandemic will transform Hollywood practices in the twenty-first century.
Learn more about Hollywood Shutdown at the University of Texas Press website.

The Page 99 Test: Hollywood Shutdown.

--Marshal Zeringue

Five top food memoirs

Katie Yee is a Brooklyn-based writer and the Book Marks associate editor at Lit Hub.

At Lit Hub she tagged five food memoirs to dig into for National Culinary Arts Month. One title on the list:
Kwame Onwuachi, Notes from a Young Black Chef

If you’re a Top Chef fan, you might recognize Kwame Onwuachi from his stint in season 13. If you’re a reader of restaurant reviews, you might recall his restaurant Kith/Kin receiving a few raves. Notes from a Young Black Chef gives us his honest (at times heartbreaking, at times inspiring) backstory: from living in Nigeria temporarily to the temptation of gangs he faced as a teenager to opening his own restaurant in his 20s. It’s at once a celebration of the power of food and also a gutting recounting of racism in America, definitely something for us all to chew on.
Read about another entry on the list.

--Marshal Zeringue

Sunday, July 18, 2021

Nose in a book: Elie Honig

Who: Elie Honig

What: Hatchet Man by Elie Honig

When: July 2021

Where: Cherry Hill Library, Cherry Hill NJ

Photo credit: Hope Horwitz, VP/Partner, Feldscher Horwitz Public Relations

Follow Elie Honig on Twitter.

The Page 99 Test: Hatchet Man.

--Marshal Zeringue

Seven of the most absurd(ly entertaining) serial killers in fiction

Grady Hendrix is an award-winning novelist and screenwriter living in New York City. He is the author of Horrorstör, My Best Friend’s Exorcism (which is being adapted into a feature film by Amazon Studios), We Sold Our Souls, and the New York Times bestseller The Southern Book Club’s Guide to Slaying Vampires (currently being adapted into a TV series). Hendrix also authored the Bram Stoker Award-winning nonfiction book, Paperbacks from Hell, a history of the horror paperback boom of the '70s and '80s.

His new novel is The Final Girl Support Group.

At CrimeReads Hendrix tagged some of the most absurd(ly entertaining) and memorable fictional serial killers he encountered when writing the new novel. One entry on the list:
The Scalper Brothers in Razor’s Edge (Robert W. Walker, 1989)

Robert Walker’s series of novels featuring Chicago medical examiner Dr. Dean Grant are like Patricia Cornwall’s Kay Scarpetta books except much, much weirder because you get the feeling Walker is just making up the details of forensic science as he goes along. Seconal, the barbituate, glows when it detects moisture, infrared light, used to show heat, reveals footprints, there’s something called a scintillation counter, and Bourbon is described as “a chemical.” Even weirder are the killers he confronts. My favorite are Van and Dean Hamel, of Orlando, Florida, also known as The Scalper Brothers. Van is a dwarf with long hair growing from every part of his body, including his earlobes. The only place he doesn’t have hair is on top of his head, and this is a big problem because Satan loves hair and he’ll never make Van a wizard until every inch of his body is hairy. Van forces his handsome brother, Dean, a police psychiatrist, to scalp victims for him so he can fashion human hair toupees, hoping that will fool Satan. When Dead resists, Van beats him with a bullwhip woven from human hair.
Read about another serial killer on the list.

--Marshal Zeringue

Pg. 99: Erin Woodruff Stone's "Captives of Conquest"

Featured at the Page 99 Test: Captives of Conquest: Slavery in the Early Modern Spanish Caribbean by Erin Woodruff Stone.

About the book, from the publisher:
Captives of Conquest is one of the first books to examine the earliest indigenous slave trade in the Spanish Caribbean. Erin Woodruff Stone shows that the indigenous population of the region did not simply collapse from disease or warfare. Rather, upwards of 250,000 people were removed through slavery, a lucrative business sustained over centuries that formed the foundation of economic, legal, and religious policies in the Spanish colonies. The enslavement of and trade in indigenous peoples was central to the processes of conquest, as the search for new sources of Indian slaves propelled much of the early Spanish exploration into Central and South America.

Once captured, some indigenous slaves were shipped to various islands, or as far away as Spain, to be sold for immediate profit. Others became military auxiliaries, guides, miners, pearl divers, servants, or, in the case of women, unwilling sexual partners. In all these roles indigenous slaves helped mold the greater Spanish Caribbean.

Even as the number of African slaves grew in the Americas, enslaved Indians did not disappear. On the contrary, African and Indian slaves worked side by side, the methods and practices of both types of slavery influencing one another throughout the centuries. Together the two forms of slavery helped create the greater Spanish Caribbean, a space and economy founded upon the bondage and coerced labor of both indigenous and African peoples.
Learn more about Captives of Conquest at the University of Pennsylvania Press website.

The Page 99 Test: Captives of Conquest.

--Marshal Zeringue

Q&A with Jennifer Nissley

From my Q&A with Jennifer Nissley, author of The Mythic Koda Rose:
How much work does your title do to take readers into the story?

What I love about my title, The Mythic Koda Rose (and it took us a long time for my team to settle on one), is how that one word "mythic" conveys so many of the novel's most salient themes. For example, fame, and legacies, and how the heroine, Koda Rose, will step free from her famous father's shadow to make her own mark on the world. Before landing on this title, my top choice was When I Die, Pack My Summer Clothes, a line from the book that I personally find darkly funny... but in the early stages of trying to sell the manuscript, my agent received feedback from editors that the title was too morbid and confusing. At first I was bummed, but the title we finally landed on is just perfect -- so I've officially emerged from mourning on that front.

What's in a name?

Easy! Koda is...[read on]
Visit Jennifer Nissley's website.

Q&A with Jennifer Nissley.

--Marshal Zeringue

Saturday, July 17, 2021

Ten of the best African noir novels

T. L. Huchu (he/him) has been published previously (as Tendai Huchu) in the adult market, but The Library of the Dead is his genre fiction debut. His previous books (The Hairdresser of Harare and The Maestro, The Magistrate and the Mathematician) have been translated into multiple languages and his short fiction has won awards. Huchu grew in up Zimbabwe but has lived in Edinburgh for most of his adult life.

From Publishers Weekly:
T.L. Huchu’s powerhouse new novel, The Library of the Dead, plunges readers into the dark, supernatural recesses of contemporary Edinburgh while expertly blending SFF, noir, and elements of Zimbabwean and Scottish culture. High school dropout Ropafadzo “Ropa” Moyo works as a ghostalker, ferrying messages between the worlds of the dead and the living. When penniless ghost Nicola pleads for help, Ropa heads out on a dangerous hunt to discover who—or what—is sucking the souls out of the bodies of the city’s children. With plenty of twists, turns, and genuinely eerie moments, this occult thriller is as entertaining as it is thought-provoking.
At Publishers Weekly Huchu tagged ten favorite thrilling African noir novels, including:
Lightseekers by Femi Kayode

The 2019 winner of the Little, Brown UEA Crime Fiction Award tells the story of Dr. Philip K. Talwo, a psychologist who is roped into investigating the lynching of three university students by a mob in a remote border town. There he has to contend with corrupt cops, university cults, cunning politicians, and dodgy locals. The result is a multilayered novel in which the investigation opens up a fascinating sociopolitical examination of contemporary Nigeria.
Read about another entry on the list.

--Marshal Zeringue

Pg. 99: Anja Shortland's "Lost Art"

Featured at the Page 99 Test: Lost Art: The Art Loss Register Casebook Volume One by Anja Shortland.

About the book, from the publisher:
Countless dollars of art are stolen or looted every year, yet governments often consider art theft a luxury problem. With limited public law enforcement, what prevents thieves, looters and organised criminal gangs from flooding the market with stolen art? How can theft victims get justice – even decades after their loss? What happens if the legal definition of a good title is at odds with what is morally right? Enter the Art Loss Register, a private database dedicated to tracking down stolen artworks. Blocking the sale of disputed artworks creates a space for private resolutions – often amicable and sometimes entertainingly adversarial. This book is based on ten cases from the Art Loss Register’s archive, showing how restitutions were negotiated, how priceless objects were retrieved from the economic underworld and how thieves and fences end up in court and behind bars. A fascinating guide to the dark side of the global art market.
Read early reviews of Lost Art and visit Anja Shortland's faculty webpage.

The Page 99 Test: Kidnap: Inside the Ransom Business.

The Page 99 Test: Lost Art.

--Marshal Zeringue

Pg. 69: Humphrey Hawksley's "Man on Fire"

Featured at the Page 69 Test: Man on Fire by Humphrey Hawksley.

About the book, from the publisher:
A tense firefight on the Russian-American border heralds the start of a terrifying high-stakes mission for special forces agent Major Rake Ozenna in this gripping espionage thriller.

Instructed to guide in a speed boat crossing from Russia in the Bering Strait, Major Rake Ozenna watches in horror as the operation culminates in a fatal firefight - and the loss of vital intelligence of a deadly new weapon. A weapon of unimaginable power. But who sabotaged the mission? Who possesses the weapon - and what is their ultimate goal?
Visit Humphrey Hawksley's website.

The Page 69 Test: The History Book.

My Book, The Movie: Security Breach.

My Book, The Movie: Man on Ice.

Writers Read: Humphrey Hawksley (May 2018).

The Page 69 Test: Man on Ice.

The Page 69 Test: Man on Fire.

--Marshal Zeringue

Friday, July 16, 2021

Seven books about the heartbreak of losing a sibling

Willa C. Richards is the author of The Comfort of Monsters.

She is a graduate of the Iowa Writers’ Workshop where she was a Truman Capote Fellow. Her work has appeared in The Paris Review and she is the recipient of a PEN/Robert J. Dau Prize for Emerging Writers.

At Electric Lit Richards tagged "seven books that showcase the specific horror and heartbreak of loving and losing a sibling," including:
Long Bright River by Liz Moore

With a heart-racing plot and a gorgeously flawed, yet painfully perceptive, narrator, Moore’s novel tackles a heady set of subjects: intergenerational trauma, addiction, sex work, police misconduct, single motherhood, and sisterhood. Set mostly in the Kensington neighborhood of Philly, Long Bright River follows Mickey Fitzpatrick, a beat cop, who undertakes a desperate and at times ill-informed mission to find her missing and long-time heroin-addicted sister. Mickey mines her past as much as her present to understand how both she and her sister ended up in the novel’s present moment. Her search for her sister is set against a disturbing slew of femicides, and like the narrator herself, readers are holding their breath every time another victim is discovered. A beautiful, wrenching book about the ties that bind us and break us.
Read about another entry on the list.

--Marshal Zeringue

Pg. 99: Patricia Fortini Brown's "The Venetian Bride"

Featured at the Page 99 Test: The Venetian Bride: Bloodlines and Blood Feuds in Venice and its Empire by Patricia Fortini Brown.

About the book, from the publisher:
A true story of vendetta and intrigue, triumph and tragedy, exile and repatriation, this book recounts the interwoven microhistories of Count Girolamo Della Torre, a feudal lord with a castle and other properties in the Friuli, and Giulia Bembo, grand-niece of Cardinal Pietro Bembo and daughter of Gian Matteo Bembo, a powerful Venetian senator with a distinguished career in service to the Venetian Republic. Their marriage in the mid-sixteenth century might be regarded as emblematic of the Venetian experience, with the metropole at the center of a fragmented empire: a Terraferma nobleman and the daughter of a Venetian senator, who raised their family in far off Crete in the stato da mar, in Venice itself, and in the Friuli and the Veneto in the stato da terra. The fortunes and misfortunes of the nine surviving Della Torre children and their descendants, tracked through the end of the Republic in 1797, are likewise emblematic of a change in feudal culture from clan solidarity to individualism and intrafamily strife, and ultimately, redemption.

Despite the efforts by both the Della Torre and the Bembo families to preserve the patrimony through a succession of male heirs, the last survivor in the paternal bloodline of each was a daughter. This epic tale highlights the role of women in creating family networks and opens a precious window into a contentious period in which Venetian republican values clash with the deeply rooted feudal traditions of honor and blood feuds of the mainland.
Learn more about The Venetian Bride at the Oxford University Press website.

The Page 99 Test: The Venetian Bride.

--Marshal Zeringue

Q&A with Nicole Trope

From my Q&A with Nicole Trope, author of The Boy in the Photo:
How much work does your title do to take readers into the story?

The title is chosen by my editor and as such, I have very little input- but I loved this title from the beginning. I think it does a fairly good job of introducing readers to the story. Daniel is abducted at six-years-old and with each passing year, his mother is sent an age progression photo by the police as they continue to search for him. He goes from being the child she is raising to the boy in the row of photos on her fridge. It’s a terribly sad image but it lets readers know what has been lost and when Daniel returns, he is so very different to the child his mother was expecting, it seems that the boy in the photo...[read on]
Follow Nicole Trope on Twitter.

The Page 69 Test: The Boy in the Photo.

Q&A with Nicole Trope.

--Marshal Zeringue

Thursday, July 15, 2021

Third reading: D.W. Buffa on "Death in the Afternoon"

D.W. Buffa was a criminal defense attorney for 10 years and his Joseph Antonelli novels reflect that experience. The New York Times called The Defense "an accomplished first novel" which "leaves you wanting to go back to the beginning and read it over again." The Judgment was nominated for the Edgar Award for best novel of the year. The latest Joseph Antonelli novel is The Privilege.

Buffa writes a monthly review for the Campaign for the American Reader that we're calling "Third Reading." Buffa explains. "I was reading something and realized that it was probably the third time that I knew it well enough to write something about it. The first is when I read it when I was in college or in my twenties, the second, however many years later, when I wanted to see if it was as good as I remembered, and the third when I knew I was going to have to write about it."

Buffa's "Third Reading" of Hemingway's Death in the Afternoon begins:
The unfortunate, if well-meaning, advice too often given to a new author is to write about what you know. It does not tell you how much you need to know or how you need to know it. Some things, important things, we learn by accident: the look of a girl passed on a street late one magical night in Manhattan, a girl we will never see again and, perhaps for that reason, will never forget. Some things we learn, or try to learn, on purpose. We go somewhere because it is the only place to discover what we think we have to find. It was the reason Hemingway went to Spain, to learn about bullfighting, something he thought he would hate but loved so much he wrote what is perhaps the greatest book ever written about it, Death in the Afternoon. The title itself seems to tell a story, four words that convey a sense of solitude and makes death seem an act of heroism and something to be proud of.

Hemingway was in his twenties, trying to write. He had been an American volunteer in the First World War, an ambulance driver in Italy. He was there, on the battlefield, whenever the fighting stopped, picking through dead bodies, looking for survivors. Death was all around him, but he did not yet know what he thought he needed to know.

“The greatest difficulty,” he insisted, “aside from knowing what you really feel, rather than what you were supposed to feel, and had been taught to feel, was to put down what really happened in action; what the actual things were which produced the emotion that you experienced.” He was trying to...[read on]
About Buffa's new novel The Privilege, from the publisher:
Joseph Antonelli, who never lost a case he should have won and won nearly every case he should have lost, is about to see his client, Justin Friedrich, convicted for a crime he did not commit. His wife was found shot to death in the bedroom of their yacht in the San Francisco marina, and Friedrich does not have a chance. But then the real killer approaches Antonelli…

Famous and enigmatic, James Michael Redfield, the head of a high tech company that leads the world in the development of artificial intelligence, Redfield gives Antonelli evidence that proves Friedrich is innocent. But why did Redfield wait until the last minute to give Antonelli this proof?

Before Antonelli can even begin to solve that riddle, there is another murder, and Antonelli finds himself an unwilling participant in a conspiracy he does not understand. Antonelli has never known anyone like James Michael Redfield. Because for Redfield, it isn’t about murder at all; it is all about the trial. Because only a trial can show the world what Redfield believes it needs to know…no matter how many people need to die.
Visit D.W. Buffa's website.

Third reading: The Great Gatsby

Third reading: Brave New World.

Third reading: Lord Jim.

Third reading: Death in the Afternoon.

--Marshal Zeringue

Top ten books about the aftermath of empire

Madeleine Bunting was for many years a columnist for the Guardian, which she joined in 1990. Bunting read History at Cambridge and Politics at Harvard. She is the author of many non-fiction books, including The Plot: A Biography of My Father's English Acre, which won the Portico Prize, and Love of Country: A Hebridean Journey, which was shortlisted for the Wainwright Golden Beer Book Prize and the Saltire Non-Fiction Book of the Year.

She has also written the novels Island Song and the newly released Ceremony of Innocence.

At the Guardian Bunting tagged ten of the best books about the aftermath of empire, including:
In the Light of What We Know by Zia Haider Rahman

It’s hard not to write in superlatives of this extraordinary novel; it combines great intelligence (digressions on mathematics and philosophy) with a global story of love, alienation and belonging which moves vividly between South Kensington, the tiny excruciating details of Oxford racism and snobbery to the breathtaking drama of a catastrophic train crash in Bangladesh and on to the frenzied world of NGOs in Kabul in the wake of the Afghanistan invasion. Every paragraph takes you somewhere different – challenging you intellectually and emotionally with a sharp elegance: ”Everything seen by the west is seen through the west,” writes Rahman. There is no better guide to how empires don’t always end, more often simply changing shape and strategy to ensure continued dominance.
Read about another entry on the list.

--Marshal Zeringue