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The title threads into the story in all kinds of ways. Colour plays an important role – the main character, Thomas Haller, is a famous painter who is celebrated for his abstract canvases. At the beginning of the novel, he has just created a new series of pictures in violet. The phrase itself comes from T.S. Eliot’s poem ‘The Waste Land’ (“At the violet hour, the evening hour that strives / Homeward, and brings the sailor home from sea …”). That timeless image of an evening sky is ironic, because what follows in Eliot’s poem is a bleakly realist episode: a young female typist comes home from work, bored and tired, before her boyfriend forces himself on her.
Like ‘The Waste Land’, this novel is about the fragmentary, cacophonous nature of experience. It is set in the high-end world of contemporary art, but its themes are universal – loss, longing, beauty and desire. Thomas, the painter, is caught between romantic ideals and the inescapable, haunting facts of his experience. More generally, the phrase captures the novel’s interest in endings. Another character, Leo Goffman, is a real-estate tycoon in his eighties – the twilight of his existence. He spends his days surrounded by his art treasures, looking back at his life with a mixture of regret and defiance. Lorna, the third main character, is a British art dealer in her forties who has arrived at a personal impasse. Her girlfriend is about to leave her, and she’s wondering what her life will now be like. Many scenes in the story take place at...[read on]
Q&A with James Cahill.
--Marshal Zeringue
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