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My book’s title, When We Talk to the Dead, was a last-minute decision. For the longest time it was called, She’s Not There. Both titles work, but are wildly different, vibe wise. She’s not there is a refrain said several times in the book; it has multiple meanings (no spoilers but trust me).
But alluding to what the book’s about isn’t enough. A title needs to capture more: tone, genre. My book is a gothic, psychological horror. I needed a title to speak to that. When We Talk to the Dead instantly tells you the type of story you’re about to read. This is a scary book, a story of darkness. This is the tale of 19-year-old Sally da Gama, so haunted by tragic loss that she will follow a path that might offer release or might plunge her deeper into madness.
The title also has an energy and action I really liked. It sets up a dynamic. When we talk to the dead, what then happens? Get ready. Once you enter the book, you will...[read on]
Writers Read: Ian Chorão.
Q&A with Ian Chorão.
--Marshal Zeringue