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So, here’s the pitch.Learn more about Two Weeks Every Summer at the Cornell University Press website.
Two Weeks Every Summer is not about children. It is not about the city. It’s not even about fresh air. The book is about sex and violence and mystery. Those three themes will make this movie sizzle.
First, the sex. In the movie, we will dramatize the sexual tensions present in white families hosting children of color as they approach dating age. We show a white middle class family at dinner – father, mother, daughter, son – discussing the sleeping arrangements after their long-time Fresh Air guest – an African-American twelve-year old from the Bronx – arrives the following day. The tension is understated but palpable when the twelve-year-old daughter notes how handsome their guest is and that she can hardly wait to see him.
A second major scene will dramatize the violence associated with the programs. The camera will pan across the aftermath of one of the hundreds of rebellions that broke out after Martin Luther King, Jr., was assassinated in 1968. Switch to a press conference where the director of the Fresh Air Fund, played by...[read on]
My Book, The Movie: Two Weeks Every Summer.
--Marshal Zeringue