His entry begins:
I spent the last nine months teaching at the prep school Deerfield Academy, most famous in literary circles for distinguished alumnus John McPhee’s The Headmaster, a wonderful biography of Frank L. Boyden, the tiny man and towering presence who helmed the school from 1902 to 1968. Although I’d spent more than two decades in academia at the college level, this was my first experience as a high school teacher, a responsibility that seemed weighty indeed: What works would I choose for my juniors in their one year of American Lit? I was tormented by having to leave so many great authors off the syllabus, by all the great works these young men and women might never encounter on their own. We dipped into Whitman and Dickinson, of course; we compared August Wilson’s Fences to Arthur Miller’s Death of A Salesman; we gave Fitzgerald’s The Great Gatsby its full due. We tackled stories by Alice Munro and Amy Hempel, by Raymond Carver and Ron Rash. But the five works I truly loved teaching – and that the students thus loved back – were these:About A Thousand Miles from Nowhere, from the publisher:
Kate Chopin’s The Awakening
For better or worse, young people these days know their way around despair. They know well how it crouches in the shadows of lives that appear to be fulfilling. And they’ve got a clear notion of what it might mean to find oneself constrained by circumstances one apparently chose of one’s own volition. Thus they see Edna Pontellier’s crisis as a familiar one, arising not just out of a society that narrowly defines who women should be but also...[read on]
A tragicomic tour de force about one man's redemption through love and art.Visit John Gregory Brown's website.
"You have lost everything, yes?"
Everything? Henry thought; he considered the word. Had he lost everything?
Fleeing New Orleans as Hurricane Katrina approaches, Henry Garrett is haunted by the ruins of his marriage, a squandered inheritance, and the teaching job he inexplicably quit. He pulls into a small Virginia town after three days on the road, hoping to silence the ceaseless clamor in his head. But this quest for peace and quiet as the only guest at a roadside motel is destroyed when Henry finds himself at the center of a bizarre and violent tragedy. As a result, Henry winds up stranded at the ramshackle motel just outside the small town of Marimore, and it's there that he is pulled into the lives of those around him: Latangi, the motel's recently widowed proprietor, who seems to have a plan for Henry; Marge, a local secretary who marshals the collective energy of her women's church group; and the family of an old man, a prisoner, who dies in a desperate effort to provide for his infirm wife.
For his previous novels John Gregory Brown has been lauded for his "compassionate vision of human destiny" as well as his "melodic, haunting, and rhythmic prose." With A Thousand Miles from Nowhere, he assumes his place in the tradition of such masterful storytellers as Flannery O'Connor and Walker Percy, offering to readers a tragicomic tour de force about the power of art and compassion and one man's search for faith, love, and redemption.
Writers Read: John Gregory Brown.