The entry begins:
I always imagined Skinner Luce as a movie or a graphic novel, but didn’t have the know-how to pull it off. The setting of this story would translate beautifully onto the big screen--the cityscape in winter, the whirling snow and ice, the choppy bay. And tucked away inside this frozen world, the grimy houses and rooms where terrible, secret things take place while humans stroll by, oblivious. Throughout, the stark wintery imagery would convey the daily desperation that defines serv existence, further emphasized when they doll themselves up so pitifully for the Nafikh, who swat them around like flies. In contrast, Lucy’s visits home would provide pockets of warmth and normalcy, a respite from the oppressive strangeness of her serv life. The clutter of Eva’s house and Lucy’s childhood bedroom, the ease with which she moves through these recognizable spaces, would highlight the freakish world she inhabits when she’s away, and make her efforts to forge some kind of normal life all the more poignant.Visit Patricia Ward's website.
The atmosphere of Skinner Luce is definitely Indie not Blockbuster....[read on]
The Page 69 Test: Skinner Luce.
My Book, The Movie: Skinner Luce.
--Marshal Zeringue