His entry begins:
I have a complicated relationship with reading. Most of the books I read aren't really for entertainment, but for research. I enjoy taking a book apart. I like to examine the elements of its construction, the merits and demerits of the prose, and quality of the plot twists that drive it forward. I read everything at a snail's speed for this reason. For me the real pleasure is in the study, not the story. So here are three I've been studying recently.About Ghostman, from the publisher:
Hit Man, by Laurence Block. I've recently been on something of a Laurence Block kick. It is almost shameful that I've never read him before, because he's not only a legendary writer in my genre but also Hit Man is truly magnificent. It features Block's awesome protagonist, Keller, who is a professional assassin. Block uses simple phrases to reveal his character's inner emotions. Even when Keller is doing something simple, like watching TV or going out to eat at a restaurant, Block can write the scene in such a way that it becomes instantly intriguing, deeply emotional, and powerfully resonant. I'm studying it for its...[read on]
Stunningly dark, hugely intelligent and thoroughly addictive, Ghostman announces the arrival of an exciting and highly distinctive novelist.Learn more about the book and author at Roger Hobbs's website.
When a casino robbery in Atlantic City goes horribly awry, the man who orchestrated it is obliged to call in a favor from someone who’s occasionally called Jack. While it’s doubtful that anyone knows his actual name or anything at all about his true identity, or even if he’s still alive, he’s in his mid-thirties and lives completely off the grid, a criminal’s criminal who does entirely as he pleases and is almost impossible to get in touch with. But within hours a private jet is flying this exceptionally experienced fixer and cleaner-upper from Seattle to New Jersey and right into a spectacular mess: one heister dead in the parking lot, another winged but on the run, the shooter a complete mystery, the $1.2 million in freshly printed bills god knows where and the FBI already waiting for Jack at the airport, to be joined shortly by other extremely interested and elusive parties. He has only forty-eight hours until the twice-stolen cash literally explodes, taking with it the wider, byzantine ambitions behind the theft. To contend with all this will require every gram of his skill, ingenuity and self-protective instincts, especially when offense and defense soon become meaningless terms. And as he maneuvers these exceedingly slippery slopes, he relives the botched bank robbery in Kuala Lumpur five years earlier that has now landed him this unwanted new assignment.
From its riveting opening pages, Ghostman effortlessly pulls the reader into Jack’s refined and peculiar world—and the sophisticated shadowboxing grows ever more intense as he moves, hour by hour, toward a constantly reimprovised solution. With a quicksilver plot, gripping prose and masterly expertise, Roger Hobbs has given us a novel that will immediately place him in the company of our most esteemed crime writers.
The Page 69 Test: Ghostman.
Writers Read: Roger Hobbs.