The entry begins:
When I can see a scene playing out in my head like a scene in real life—as if I am not at the moment creating a scene but standing off to the side and observing the scene play out--I know that the writing is going well. This process is facilitated when I have a physical model for each the characters. And from the first day of conception of The Boy Who Shoots Crows through the last tweak of the final paragraph, I saw Diane Lane as my Charlotte Dunleavy. There is to Ms. Lane an elegance of bearing, the dignity borne of having lived a somewhat privileged life, but absent the haughtiness and narcissism of believing the privilege one’s due. This is Charlotte, a small-town girl, adored only child of middleclass parents. From kindergarten through a Seven Sisters education, she stood out. Inquisitive, intelligent, talented, lovely, and appreciative of her many gifts and opportunities. And yet, one of life’s blows—the death of a parent, her husband’s betrayal—can leave her reeling, feeling flung off balance from a suddenly tilting earth.Learn more about the book and author at Randall Silvis's website.
Charlize Theron could wear the role well, too. Even Angelina Jolie. Natalie Portman if she were older. Each as seemingly elegant and perfect in her beauty as a tawny doe, yet capable of being startled by a sudden noise, stopped in her tracks by the hurtful and unexpected.
And Sheriff Gatesman, so softened by life’s hardness, so familiar with sorrow.... I always saw...[read on]
The Page 69 Test: The Boy Who Shoots Crows.
My Book, The Movie: The Boy Who Shoots Crows.
--Marshal Zeringue