About the book, from the publisher:How and why has the saga of Scarlett O’Hara kept such a tenacious hold on our national imagination for almost three-quarters of a century? In the first book ever to deal simultaneously with Margaret Mitchell’s beloved novel and David Selznick’s spectacular film version of Gone with the Wind, film critic Molly Haskell seeks the answers. By all industry predictions, the film should never have worked. What makes it work so amazingly well are the fascinating and uncompromising personalities that Haskell dissects here: Margaret Mitchell, David Selznick, and Vivien Leigh. As a feminist and onetime Southern adolescent, Haskell understands how the story takes on different shades of meaning according to the age and eye of the beholder. She explores how it has kept its edge because of Margaret Mitchell’s (and our) ambivalence about Scarlett and because of the complex racial and sexual attitudes embedded in a story that at one time or another has offended almost everyone.Read an excerpt from Frankly, My Dear, and learn more about the book at the Yale University Press website.
Haskell imaginatively weaves together disparate strands, conducting her story as her own inner debate between enchantment and disenchantment. Sensitive to the ways in which history and cinema intersect, she reminds us why these characters, so riveting to Depression audiences, continue to fascinate 70 years later.
Molly Haskell is the author of From Reverence to Rape: the Treatment of Women in the Movies and the memoir Love and Other Infectious Diseases.
Visit Molly Haskell's website.
Read about Molly Haskell's list of the five best autobiographies by actresses.
The Page 99 Test: Frankly, My Dear.
--Marshal Zeringue
Posts
