Part of her entry:
A few days ago I read my friend, Arielle Greenberg's, new poetry manuscript which was so brilliant and amazing it gave me the worst nightmare I've ever had. Yesterday I read a short chapbook, Dear Professor, Do You Live in a Vacuum? by Nin Andrews published by Subito Press which I loved: it's funny and smart (a kind of less raunchy version of Letters to Wendy's by Joe Wenderoth). I'm in the middle of three other books of poetry: Isa the Truck Named Isadore by Amanda Nadelberg, published by Slope, a deceptively simple book that delights and surprises me on every page; Julianna Baggott's new and wonderfully funny and moving book of poems, Compulsions of Silkworms and Bees, in which poetry is itself a character in the book; and lastly, In the Pines, by Alice Notley, published by Penguin. Notley's book is a more difficult and serious read than Baggott or Nadelberg. On the first page of the book Notley writes, "it is time to change writing completely" and she is doing this — the book is not quite poetry and not quite prose and narrative is fractured by progressed through accretion — and it is thrilling and disturbing and inspiring. [read on]Zucker is the winner of the Salt Hill Poetry Award (1999, judged by C.D. Wright) and the Barrow Street Poetry Prize (2000). In 2002 she won the Center for Book Arts Award (judged by Lynn Emanuel) for her long poem, "Annunciation" which was published as a limited edition chapbook. Her poems have appeared in many journals including: 3rd Bed, American Poetry Review, Barrow Street, Colorado Review, Epoch, Fence, Iowa Review, Pleiades, and Prairie Schooner as well as in the Best American Poetry 2001 anthology.
She is co-editor of a book of essays, Efforts and Affections: Women Poets on Mentorship, which will be published by University of Iowa Press this Spring.
Visit Rachel Zucker's website.
Writers Read: Rachel Zucker.
--Marshal Zeringue