Sarah Weinman of Confessions of an Idiosyncratic Mind wrote of the "Madeline Carter" series:
When I read Mad Money, the series debut for day trader sleuth Madeline Carter, I knew Richards had something special going, but [The Next Ex] confirms this and then some. The mystery -- who's killing off all the ex-wives of noted media mogul Maxi Livingston -- has lots of punch and plenty of surprises, but the best bits are simply Madeline describing her day (and making day trading fascinating and lively) and interacting with a wealth of strong supporting characters. If there's justice, many more people will be finding out how good Richards is, and soon."I asked Linda to apply the "page 69 test" to Calculated Loss, which is just out this month. Here's her reply:
Frankly, I was slightly astonished to discover just how far off the mark Sutherland--and with him McLuhan--are not when it comes to the whole page 69 thing.Many thanks to Linda for the input.
As Sutherland suggests, jacket copy isn’t a good starting point: quite often the author doesn’t get to write that stuff. For instance, the jacket material for Calculated Loss tells you about the story, but the book sounds a lot happier and glossier than what’s between the covers. It sounds like it’s going to be a big laugh riot adventure. And, certainly, there are moments of high humor--life’s like that, after all--but my fiction tends to be somewhat darker than what is indicated by the words on the back cover. And, sure: the book is a thriller and a mystery. But there is reflection, I think, and growth. There must always be growth.
So in the case of Calculated Loss, the McLuhan test works. Because we’re coming across the protagonist, Madeline Carter, in a moment of reflection. And, again, the book is a thriller, so by page 69, we’ve already had a bunch of exciting stuff occur. People have died, things have crashed. But in this moment--this moment of page 69--we’re encountering Madeline obliquely thinking about some of the things that make up her character. And though page 69 doesn’t tell you much about the story, it’s probably a more accurate taste of the journey the reader is considering taking.
from Calculated Loss, page 69:
This is a thing I do, have always done: this testing of the air when I get off a plane. I love that moment, when you first ingest the local air, when you taste it, roll it around on your tongue like a fine wine. It’s only at that moment--when you’ve just left an air-conditioned airport after getting off an air-conditioned plane--that you can truly taste the essential being of a place. Taste it right down to its constituent components. On this day I tasted earth and things growing richly, and I tasted salt and the sharp tang of the sea.
Anne-Marie watched me and smiled. Then she hugged me again and I could see her eyes were moist. “I take it back,” she said. “You really haven’t changed at all.”
Click here for an excerpt from Mad Money and here for an excerpt from The Next Ex. Go to the publisher's page to read an excerpt from Calculated Loss.
Visit Linda's official website to learn more about all three books.
Earlier this month Eliane Flinn gave Linda "the bubble treatment" over at Murderati: click here to experience that special event.
Linda is editor of January Magazine, maintains a blog, and is one of the "usual suspects" posting at The Rap Sheet.
Previous "page 69 tests":
Kevin Guilfoile, Cast of Shadows
Ronlyn Domingue, The Mercy of Thin Air
Shari Caudron, Who Are You People?
Marisha Pessl, Special Topics in Calamity Physics
John Sutherland, How to Read a Novel
Steven Miles, Oath Betrayed
Alan Brown, Audrey Hepburn's Neck
Richard Dawkins, The Ancestor's Tale