Campaign for the American Reader: Six thrillers that feature contagions & pandemics

Monday, March 16, 2026

Six thrillers that feature contagions & pandemics

Alice Martin is a writer, reader, and teacher from North Carolina. She holds a PhD in Literature from Rutgers University and works as an Assistant

Professor of English Studies at Western Carolina University, where she teaches fiction writing and American literature. She lives outside of Asheville, North Carolina with her husband, her son, and too many typewriters.

Westward Women is Martin's debut novel.

At CrimeReads the author tagged six novels that are

stories about societies on the edge in the face of contagions, stories made pulse-pounding not only because of the way they demonstrate contagion as a threat but also the way they reveal how contagion can be a catalyst for social change, a reminder of the potential reckless delights in being free of social constraint.

One title on Martin's list:

Emily St. John Mandel, Station Eleven

Like [Stephen King's] The Stand, Emily St. John Mandel’s magnificent Station Eleven can be divided into the “before” and “after”: the collapse of society under the weight of a flu pandemic and the rise of something new and uncanny in its aftermath. In the “after,” a group of traveling performers try to find what pleasure there is in life beyond surviving while a terrifying extremist gains influence nearby.

But the opening to Station Eleven might be my favorite opening of any book. It begins with a production of King Lear that serves as a kind of super-spreader event. After witnessing a man die onstage, one man who was present, Jeevan, receives more advanced warning from a doctor friend, leading him to stock up on supplies for the end of the world. This sequence always catches my breath because of how real it feels.

For Jeevan, everything in the world—jobs, responsibilities, weeknight plans—all stop in a second. It is the embodiment of the most famous line from King Lear: “unaccommodated man is no more but such a poor, bar, forked animal as thou art. Off, off, you lendings! Come unbutton here.” Unbuttoning ourselves from the constraints of society may make us animals, but it is freeing, too.