How much work does your title do to take readers into the story?Visit Peter Rosch's website and follow him on Facebook, BlueSky, Instagram, and Threads.
I’d say quite a bit of work. There are dead people in my book. Check. We are going to see what they can and can’t do. Check. It sounds ominous and dark, and this book is that and more. Check and check. I like the title What The Dead Can Do for a whole host of reasons, but it was not the original title. Tend was the original title. That one word drove a lot of the plot, too. This is the story of a mother tending to her child from the afterlife. My interpretation of the word had always been tinted with empathy, love, care, and all the things that society expects from perfect mothers. Amanda, the mother here, is pushing the envelope on what it means to tend to her child—she’s trying to kill him to bring him to her so she can continue to care for him and ensure his well-being. In the end, though, I came to realize that the word tend was dated. Many people think of money first when they hear the word. It was doing nothing to take readers into the story and, in many cases, was confusing them. I count myself lucky that it did, to be honest—I was forced to re-evaluate. And I think What The Dead Can Do sets up the story and, more importantly, the vibe I want people to feel when they crack open the book.
What's in a name?
Everything. And nothing. Personally...[read on]
Q&A with Peter Rosch.
--Marshal Zeringue
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