Her entry begins:
This summer I have immersed myself in audiobooks, and though I love many of the mysteries written by men, I focused on female writers of the British Isles: specifically Elly Griffiths, Tana French, Denise Mina, and J.K. Rowling/Robert Galbraith. (Also Elizabeth George, though only her protagonist is English). I have plowed through the series of each writer, enjoying the threads that tie the various novels together.About Death in Castle Dark, from the publisher:
Elly Griffiths won me over long ago with The Crossing Places, an atmospheric mystery set in the Salt Marshes on the English Coast. Griffiths makes great use of her setting while writing about the solitary Ruth Galloway, an archeologist called in by police to determine whether a body is the result of a modern murder or the displacement of ancient bones. Griffiths' recurring themes are the mystery of time, the notion of God and how people perceive, or disbelieve, in the existence of a higher power. One of Ruth's best friends is a Druid, while the police inspector she works with is a Catholic, and Ruth herself is an atheist. The mystery is compelling and beautifully written, and I have caught up with the series up to the latest book, The Night Hawks. I highly recommend that...[read on]
Actor Nora Blake finds her dream job when she is cast in a murder-mystery troupe that performs in an imposing but captivating old castle. When she stumbles upon a real murder, things take a nightmarish turn in this first book in an exciting new series.Visit Julia Buckley's website and follow Veronica Bond on Facebook.
Maybe it was too good to be true, but when Nora Blake accepted the job from Derek Corby, proprietor of Castle Dark, she could not see any downsides. She would sink her acting chops into the troupe’s intricately staged murder-mystery shows, earn free room and board in the fairy tale–like castle, and make friends with her new roommates, which include some seriously adorable kittens.
But something sinister lurks behind the walls of Castle Dark. During Nora’s second performance, one of her castmates plays the part of the victim a little too well. So well, in fact, that no one can revive him. He has been murdered. Not ready to give up her dream gig—or to be the next victim—Nora sets out to see which one of her fellow actors has taken the role of a murderous real-life villain.
Q&A with Julia Buckley.
Writers Read: Veronica Bond.
--Marshal Zeringue