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Our book is about girl preachers in the 1920s, the decade that represented one of the most radical changes in the perception of the feminine, with the rude and risqué flapper providing the new image, and girl evangelists standing for traditional manners and morals. This was the age of the child star, and children had a welcoming stage, whether promoting Hollywood or heaven. The most famous of these girl evangelists, Uldine Utley, was actually called “the Garbo of the Pulpit,” and both Utley and Garbo had superstar quality, each on their own stage. At least one movie was made at the time that reflected the clash of cultures experienced during the roaring twenties: Cecil B. deMille’s last silent movie, The Godless Girl.Learn more about the golden age of girl evangelists at Thomas A. Robinson’s website.
Any of the sets of a Hollywood movie featuring the 1920s would work just fine in converting our book to a movie. It was the age of Prohibition on the one hand, and of illegal alcohol and speakeasies on the other. It was the age of fiery evangelists, such as Billy Sunday and Aimee Semple McPherson on the one hand, and of Al Capone and Bugs Moran on the other.
Casting for the girl evangelists would open the door for anyone from age three to their twenties, for some of the girls were three when they started and many were well into adulthood before they dropped the “Girl Evangelist” moniker. For the star girl evangelist, Uldine Utley...[read on]
My Book, The Movie: Out of the Mouths of Babes.
--Marshal Zeringue