About the book, from the publisher:
Mike Foley can never forget the night he tagged along with his brother on a job for the mob that ended in a hail of bullets. Now his brother is dead, Mike’s making wine in Oklahoma, and life is almost as good as it gets when you’ve been hiding out for forty years. Until his past comes calling.And the author's choice for director of a film adapted from the novel is...:
Mike’s nephew Andrew needs to disappear, and he needs to do it yesterday. Hanging with the wrong kind of friends, he’s seen something he shouldn’t have, and now he’s running for his life with an assassin on his trail. The consummate professional hit woman, Nikki Enders is the most lethal of a deadly sisterhood. And Andrew Foley is next on her extermination list. Unless Uncle Mike can stop her. As kill teams descend on Foley’s farm, one pissed-off ex-tough guy is about to take a final, all-or-nothing stand with shotguns blazing....
I forget who said it, but somebody remarked Shotgun Opera would make a cool John Woo film. I guess I don’t have any problem with that. Shotgun Opera certainly has enough action. And it might have been excellent author J.D. Rhoades who said it reminded him of those Transporter films. That would be cool too. All of my novels have a cool dose of action, but it was Shotgun most of all that I wanted to have a “nonstop” feel, and so the above comparisons seem pretty good to me. If you took John Woo and a healthy pinch of that Robert Rodriguez quirkiness, I think you’d have it.Read on to find out who Gischler would cast in the adaptation.
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