Sunday, June 22, 2008

Pg. 69: Christina Meldrum's "Madapple"

The current feature at the Page 69 Test: Christina Meldrum's Madapple.

About the book, from the publisher:
THE SECRETS OF the past meet the shocks of the present.

Aslaug is an unusual young woman. Her mother has brought her up in near isolation, teaching her about plants and nature and language—but not about life. Especially not how she came to have her own life, and who her father might be.

When Aslaug’s mother dies unexpectedly, everything changes. For Aslaug is a suspect in her mother’s death. And the more her story unravels, the more questions unfold. About the nature of Aslaug’s birth. About what she should do next.

About whether divine miracles have truly happened. And whether, when all other explanations are impossible, they might still happen this very day.

Addictive, thought-provoking, and shocking, Madapple is a page-turning exploration of human nature and divine intervention—and of the darkest corners of the human soul.
Among the early praise for Madapple:
"In debut novelist Christina Meldrum's mesmerizing literary mystery MADAPPLE, the worlds of science and faith collide."
Vanity Fair

"Theology is on trial in this extraordinary first novel...”
Publishers Weekly, starred review

“With this spellbinding debut, Meldrum marks herself as an author to watch.”
Kirkus, starred review

“There is much to ponder in this enthralling achievement from a debut author.”
Booklist, starred review
Read an excerpt from Madapple, and learn more about the book and author at Christina Meldrum's website.

Christina Meldrum received her Bachelor of Arts in religious studies and political science from the University of Michigan. After working in grassroots development in Africa, she earned her law degree from Harvard Law School. She has worked for the International Commission of Jurists in Geneva, Switzerland, and as a litigator at the law firm of Shearman & Sterling.

Madapple is her first novel.

The Page 69 Test: Madapple.

--Marshal Zeringue

Saturday, June 21, 2008

Pg. 99: Jonathan Santlofer's "The Murder Notebook"

The current feature at the Page 99 Test: Jonathan Santlofer's The Murder Notebook.

About the book, from the publisher:
Jonathan Santlofer once again combines his extraordinary talents as both a writer and an artist in this second chilling thriller featuring NYPD forensic sketch artist Nate Rodriguez. Though plagued by the death of his father years ago, Rodriguez has little time to dwell on the past. A rash of seemingly unrelated murders holds New York City in a gridlock of terror, and with his reputation for having a sixth sense—an uncanny ability to draw things he hasn't even seen—Rodriguez lands a spot on the task force investigating the crimes. But with his mind's eye clouded, he's forced to search for an answer the old-fashioned way: by hitting the streets.

Rodriguez begins to suspect a common thread between the victims, confirmed when more bodies turn up—those of the killers themselves. As the slayings continue, the link between the crimes comes into focus and Rodriguez must convince the NYPD that they are up against something bigger—and more heinous—than anyone ever suspected.

The Murder Notebook is a smart, innovative suspense novel with a terrifying, ripped-from-the-headlines urgency. Where is the line between advancement and criminality in matters of manipulating the human psyche? What would happen if someone were no longer able to feel fear? With his unique blend of gripping prose and original sketches, Jonathan Santlofer has crafted a tale of morality and duty, love and justice, that is as shocking as it is timely.
Linda Fairstein on forensic sketch artist Nate Rodriguez: "Jonathan Santlofer has created an amazing character whose creative skills and investigative experience take the genre in entirely new directions."

Read an excerpt from The Murder Notebook, and learn more about the book and author at Jonathan Santlofer's website.

View the video trailer for The Murder Notebook.

Jonathan Santlofer is the author of several novels--Color Blind, The Death Artist, The Killing Art, and Anatomy of Fear--and a highly respected artist whose work has been written about and reviewed in the New York Times, Art in America, Artforum, and Arts, and appears in many public, private, and corporate collections.

Anatomy of Fear and the Page 99 and Page 69 Tests.

The Page 99 Test: The Murder Notebook.

--Marshal Zeringue

Five best: books about sailing

Sir Robin Knox-Johnson, author, most recently, of Force of Nature, is the first person to have sailed solo and nonstop around the world.

For the Wall Street Journal, he named a list of his favorite books about sailing. One title on his list:
Last Man Across the Atlantic
by Paul Heiney
Mainstream, 2006

So many sailors have crossed the Atlantic by themselves and then written up their accounts that it is hard to think that there is anything else to say. But Paul Heiney managed to produce one of the most readable books on an Atlantic crossing that I have ever encountered. Heiney, a longtime consumer-affairs broadcaster in Britain, was not that experienced a sailor when he entered the Singlehanded Transatlantic Race in 2005. Indeed, he finished, if not last, as his title suggests, then next to last. But with so many yachtsmen taking up longer voyages, this book reminds us of the sorts of difficulties that a comparative newcomer might expect -- coping with torn sails and rotten food far out to sea. It can also be savored simply as a story well told.
Read about the book that topped Knox-Johnson's list.

--Marshal Zeringue

Friday, June 20, 2008

What is Eluned Summers-Bremner reading?

The latest contributor to Writers Read: Eluned Summers-Bremner, Senior Lecturer in the Department of English at The University of Auckland and author of Insomnia: A Cultural History and other scholarly works.

Her entry begins:
Because I owe a book on the novelist Ian McEwan to a publisher by the end of July, most of this year has been taken up with rereading McEwan--or illicitly reading things like Bruce Chatwin’s biography and Kerouac’s On the Road for the History of Wandering I’ll be writing after that, but which I’m not allowed to work on yet. I was struck by how much I enjoyed (again) McEwan’s Saturday while simultaneously feeling short-changed by it as a book about the decision to go to war in Iraq. And I was struck by his having neurosurgeon Henry Perowne issue a statement about science one day cracking the secret of consciousness in a novel in which Perowne’s daughter’s recitation of a poem works the magic that frees the family from a hold-up. [read on]
From the Financial Times' review of Insomnia:
Summers-Bremner’s excellent account of insomnia shows that the consideration of our waking moments is indicative of the changing ways we think about life.
Andrew Stark, in the Wall Street Journal, wrote:
[Eluned Summers-Bremner's] account of literary usages of insomnia, from Gilgamesh to Garcia Márquez, is a rich one, sufficient to make the case that insomnia is a recurrent theme in Western culture. She reminds us of insomnia's centrality to great literary characters, signifying everything from inner dread in Macbeth to mental liberation in Milton's "Penseroso," who relishes the mind-wanderings that nocturnal wakefulness brings. Insomnia can also determine an author's signature style, as it did, Ms. Summers-Bremner argues, with the sleep-deprived Samuel Johnson, who tended to jump inconclusively from topic to topic. And it can be crucial for mood: Think of how sleepless characters contribute to the exhausted, no-way-out atmosphere of film noir.

Even so, Ms. Summers-Bremner offers a different reason for our failure to take insomnia seriously as a medical condition. It has to do with our attitudes not toward the struggles that lie along the insomniac's path but toward his goal: sleep....
Read more about Insomnia: A Cultural History.

Learn more about Eluned Summers-Bremner and her work.

Writers Read: Eluned Summers-Bremner.

--Marshal Zeringue

Pg. 69: Jennifer McMahon's "Island of Lost Girls"

The current feature at the Page 69 Test: Jennifer McMahon's Island of Lost Girls.

About the book, from the publisher:
While parked at a gas station, Rhonda sees something so incongruously surreal that at first she hardly recognizes it as a crime in progress. She watches, unmoving, as someone dressed in a rabbit costume kidnaps a young girl. Devastated over having done nothing, Rhonda joins the investigation. But the closer she comes to identifying the abductor, the nearer she gets to the troubling truth about another missing child: her best friend, Lizzy, who vanished years before.

From the author of the acclaimed Promise Not to Tell comes a chilling and mesmerizing tale of shattered innocence, guilt, and ultimate redemption.
Among the early praise for Island of Lost Girls:
"Like The Lovely Bones, despite grim and nearly unbearable subject matter, this book is un-put-downable from page 1. The writing is exquisite and often very funny, and themes of childhood and loss resonate."
--The Boston Globe

“This smart mystery-thriller grabs you by the throat and won't let go.... Echoes of Alice down the rabbit hole persist right through the spellbinding conclusion, making this a page-turner you'll neglect sleep for.”
--People

"Haunting... McMahon expertly shifts between pivotal events in the past and present-day action, building tension to a resolution both poignant and shattering."
--Publishers Weekly

“As in her assured debut novel, McMahon offers a moving if bittersweet portrait of childhood... readers will be hooked on both the mystery element and the coming-of-age aspects of this atmospheric novel.”
--Booklist

"Well-crafted... dirty family secrets and sudden plot twists harken back to McMahon's debut."
--Kirkus

“A heartbreaking and haunting masterpiece…. the plot twists and turns and tantalizes.”
--Bookreporter

"Island of Lost Girls is an unsettling account of the secret lives of children, told in unexpected twists and turns, as if Alice had fallen down the wrong rabbit hole and lost her childhood. McMahon never flinches, but her readers will at every dark secret."
--Keith Donohue, author of The Stolen Child
Read an excerpt from Island of Lost Girls, and learn more about the book and author at Jennifer McMahon's website and her MySpace page.

Jennifer McMahon is the author of Promise Not To Tell, Island of Lost Girls, and My Tiki Girl.

The Page 69 Test: Promise Not to Tell.

The Page 69 Test: Island of Lost Girls.

--Marshal Zeringue

Pg. 99: Ted Botha's "The Girl with the Crooked Nose"

The current feature at the Page 99 Test: Ted Botha's The Girl with the Crooked Nose: A Tale of Murder, Obsession, and Forensic Artistry.

About the book, from the publisher:
In The Girl with the Crooked Nose, Ted Botha tells the absorbing story of Frank Bender, a gifted, self-taught artist who can bring back the dead and the vanished through a unique, macabre sculpting talent. Bender has been the key to solving at least nine murders and tracking down numerous criminals. Then he is called upon to tackle the most challenging and bizarre case of his career.

Someone is killing the young women of Juarez. Since 1993, the decomposing bodies of as many as four hundred victims, known as feminicidios, have been found in the desert surrounding this gritty Mexican border town. In 2003, prodded by local political pressure and international attention, the Mexican authorities turn to the United States to help solve these horrific crimes. The man they turn to is Bender.

Through breathtakingly realistic sculptures, Bender reconstructs the faces of unknown murder victims or fugitives whose appearances are certain to have changed over years on the run. The busts are based in part on the painstaking application of forensic science to fleshless human skulls and in part on deep intuition, an uncanny ability to discern not only a missing face but also the personality behind it.

Arriving in Mexico, Bender works in secrecy, in a culture of corruption and casual violence where the line between criminals and law enforcement is blurry, braving anonymous threats and sinister coincidences to give eight skulls back their faces and, hopefully, their histories. Drawn to one skull in particular–"The Girl With the Crooked Nose"–Bender gradually comes to suspect that perhaps he is not meant to succeed, and that the true solution to the mystery of the feminicidios is far more terrible than anyone has dared to imagine.

Ted Botha brilliantly weaves Bender’s story–the cases he has solved, the intricacies of his art, the colorful characters he encounters, and the personal cost of his strange obsession–with the chilling story of the Juarez investigation. With a conclusion as shocking as its story is gripping, The Girl with the Crooked Nose will haunt readers long after the last page is turned.
Among the early praise for the book:
“Ted Botha has offered us a compelling glimpse into a gruesome profession that all of us wish didn’t have to exist. He has done justice to a calling that itself brings justice into the darkest corners of the world.”
--Simon Winchester, author of The Professor and the Madman

“Botha has written an extraordinary and timely book. Partly the portrait of an impassioned man, partly a true-crime story, partly the heartbreaking tale of the murdered women of Juárez – this is also the story of how, at heart, life’s most important work has nothing to do with making money but every thing to do with making a difference.”
--Alexandra Fuller, author of Don’t Let’s Go to the Dogs Tonight

“Extraordinary … The tales in this book accurately capture the dark movies and complexities of senseless murder, and even the most savvy crime reader will not be able to resist the author’s insightful storytelling.”
--Publishers Weekly

“Fans of crime-solving procedurals will love it.”
--Kirkus
Read an excerpt from The Girl with the Crooked Nose, and learn more about the book and author at Ted Botha's website.

Ted Botha's first book, Apartheid in my Rucksack, was a personal account of discovering Africa as a white African. His book Mongo, Adventures in Trash deals with the people in New York City who collect what others consider garbage. With Jenni Baxter, he wrote The Expat Confessions, about the trials and tribulations of South Africans who live abroad.

The Page 99 Test: The Girl with the Crooked Nose.

--Marshal Zeringue

Thursday, June 19, 2008

Deborah & Joel Shlian's "Rabbit in the Moon," the movie

Now showing at My Book, The Movie: Deborah and Joel Shlian's Rabbit in the Moon.

Deborah's contribution opens:
My husband and I are physicians who practiced medicine in Los Angeles for many years. Now you can’t live in Southern California for very long without getting bitten by the Hollywood bug. Everyone you meet is something else on the side- your dentist is a producer, your lawyer is an agent, and of course every waitress is an actress. Even though we wrote Rabbit in the Moon as a novel, we always visualized it as a film. That’s one major characteristic of our writing style— fast-paced and cinematic. While we did the same for our two previous novels (Double Illusion and Wednesday’s Child), both of which were actually optioned for film (though never made), Rabbit in the Moon is our most ambitious book and the one we feel is best suited for a feature film.

Here’s what a reviewer wrote: “Rabbit in the Moon is an international thriller of epic proportions. American-born-and-proud Lili Quan is a driven woman — young, a medical doctor, and passionately strong in her convictions and views on life. She’s also stubbornly avoiding a heritage she’d rather not identify with. But when two completely different cultures and secret political agendas collide, she slowly learns that her overall importance in a whirlwind of seemingly unconnected events cannot even begin to be imagined. It’s an east vs. west, old vs. young, democratic vs. communistic, yin vs. yang struggle for an elusive secret with unlimited and priceless potential. One that men…and even governments…are willing to kill for…”

The story is told against the backdrop of the most tumultuous seven weeks in recent Chinese history: from the rise of the Student democracy movement in April, 1989 to its fall with the Tiananmen massacre on June 4th.

If I were casting the movie myself, I would probably start with.... [read on]
Listen to the podcast of the prologue of Rabbit in the Moon and view the book trailer.

Learn more about the book and authors at Deborah and Joel Shlian's website.

My Book, The Movie: Rabbit in the Moon.

--Marshal Zeringue

Influential cookbooks: Thomas Wolfe

I've posted a new entry at Dining with Bacchus about my visit with Chef Thomas Wolfe of Peristyle and Wolfe's in the Warehouse.

He told me a lot about his development as a chef, shared some stories about working on the line at Emeril's with several individuals who would go on to national fame as chefs, and explained the four-day process behind his famous Slow Roasted Cane Syrup Duck.

I also tried to get him to tell me about his least favorite chef.

I asked him about cookbooks that he considered influential to his approach to cooking, too. Here are a few of the titles he mentioned:
The books of Thomas Keller, the famous chef-restaurateur behind The French Laundry and per se, and author of several cookbooks, for his methods and philosophy.

James Peterson's books, especially his Fish & Shellfish and Glorious French Food.

The chef's ultimate reference book: Larousse Gastronomique.
Read about my visit with Chef Tom Wolfe at Peristyle.

--Marshal Zeringue

Ten best: photography books

John Buckle came up with a "ten best" list of photography books for the Independent.

One title on his list:
The Vice Photo Book from Vice Magazine

Sexy, fun and in-your-face, the images in Vice magazine give a good idea of what’s happening in fashion and street photography. Photographers featured here include Juergen Teller and Terry Richardson.
Read about Number One on Buckle's list.

--Marshal Zeringue

Pg. 69: Julie Compton's "Tell No Lies"

The current feature at the Page 69 Test: Julie Compton's Tell No Lies.

About the book, from the publisher:
Jack Hilliard has the perfect life. A family man with two young sons and a supportive wife that he has loved since the day they met, he’s also on the verge of being elected District Attorney of St. Louis. As secure at home as he is in the courtroom, he has plenty to fight for and nothing to hide.

But everything in Jack’s life is not nearly as perfect as it seems, as he learns when he finally admits to being attracted to one of his old friends and colleagues, Jenny Dodson. Jack tries hard to put his feelings for her aside, but his attraction develops into an obsession that he can’t control. What should have been a terrible mistake never to be repeated turns into even more when Jenny is accused of the murder of one of her clients, and Jack is her only alibi. Now Jack’s in the painful and precarious position of being trapped between saving a friend and protecting his family.

Julie Compton’s searing debut novel, Tell No Lies, is as much a whodunit as it is about why--why does Jack Hilliard do what he does, even when it seems he can’t win, why does Jenny Dodson let him, and why is human nature as much about love and conviction as it is about trust and betrayal?
Among the praise for the novel:
Tell No Lies has all the requisites of legal thrillers including courtroom dramas and lawyers' behind the scenes work… Compton proves she has real storytelling skills. Tell No Lies' final twist is as stunning as that classic surprise in Scott Turow's Presumed Innocent.”
Florida Sun-Sentinel

“Compton’s debut is a taut, tense cautionary tale complete with courtroom drama and a surprise ending.”
Kirkus (starred review)

“Readers will like this debut by a practicing attorney for its fluid prose and insight into the legal system.”
Library Journal

Compton's portrait of an idealistic and ambitious prosecutor creates suspense the old-fashioned way: through the relentless unfolding of character and its consequences. As we are swept up in the story, much as Jack himself is, the novel deconstructs any easy moral superiority, challenging readers to place themselves in Jack's shoes and then to say truthfully how-and when-they might act differently.
Alison Hicks, author of
Love: A Story of Images

“[A]n absorbing account of an honourable man gradually yielding to multiple temptations," and "a strong debut from a writer who knows her law, and more importantly, can depict the ebb and flow of relationships, the conflict between love and desire and the irresistible urge to self-destruct of a 'man who has everything'.”
Guardian
Read an excerpt from Tell No Lies, and learn more about the novel and author at Julie Compton's website and her blog.

Julie Compton practiced law in St. Louis, Missouri, and most recently worked as a trial attorney for the U.S. Department of Justice. Tell No Lies is her first novel.

The Page 69 Test: Tell No Lies.

--Marshal Zeringue

Wednesday, June 18, 2008

What is Sara Varon reading?

The current featured contributor to Writers Read: Sara Varon, whose work includes the graphic novels Sweaterweather and Robot Dreams, and the picture book Chicken and Cat (a 2006 Parent's Choice silver honor award winner).

One paragraph from her entry:
Even though I make graphic novels, I don't read that many. But my favorite is The Rabbi's Cat by Joann Sfar. The Rabbi's Cat 2 just came out, and that was my most recent read. The second book was just as good as the first one - both the stories and pictures are fantastic. [read on]
From the Publishers Weekly starred review of Robot Dreams:
Robots, ducks, melting snowmen, and other mute creatures, all rendered in sweet and simple drawings, go through some very big, very human ordeals in Varon's (Chicken and Cat) elegiac and lovely graphic novel about friendship. Dog buys a build-your-own-robot kit and assembles a new best friend for himself. But a day at the beach leaves Robot's joints rusted and immobile, and Dog is obliged to abandon him there. While Dog spends the next year trying to fill the hole in his life left by Robot — and assuage his guilt — Robot lies inert on the beach, dreaming of rescue and escape. Dog's episodic stories are particularly poignant in the way they mirror the human tendency to "try things out" in the hopes of meeting some emotional need; Robot is an avatar for all children who wonder why they aren't receiving the love they think they deserve. In a conclusion both powerful and original, Robot ends up reworked into a radio by a raccoon grateful for the music, and forgives Dog, even if Dog doesn't realize it; for once characters don’t have to wind up back together to find happiness. Tender, funny, and wise.
Read more about Sara Varon and her work.

Writers Read: Sara Varon.

--Marshal Zeringue

Pg. 99: Walter Nugent's "Habits of Empire"

The current feature at the Page 99 Test: Walter Nugent's Habits of Empire: A History of American Expansion.

About the book, from the publisher:
Discussions abound today about the state of the union, its place in the world, and the founding fathers’ intentions. Did they want the United States to become a republic or an empire? Thomas Jefferson, after all, called the young nation an “empire for liberty.” Later words through two centuries all evoked empire: “manifest destiny” in the 1840s, “benevolent assimilation” in 1898, and “our responsibility to lead” in 2002.

Indeed, since Jefferson’s day, Americans have proudly proclaimed liberty and cherished democracy even as they have often behaved imperially. Habits of Empire documents this expansionist behavior by examining each of the nation’s territorial acquisitions since the first in 1782—how the land was acquired, how its previous occupants were removed or reduced, and how it was then settled and stabilized. By 1853, when the continental United States was fully established from sea to shining sea, the nation’s habit of empire-building had become firmly formed.

Each of the acquisitions is a story in itself. In Paris in 1782, the American negotiators—the crafty Benjamin Franklin, the crabby John Adams, and the crooked John Jay—stubbornly and with much luck pushed the new country’s western boundary to the Mississippi River and almost gained southern Canada as well. Hardly any Americans yet lived west of the Appalachians, and their armies had not conquered the region, but they won it nevertheless. That allowed Robert Livingston and James Monroe in 1803 to accept Napoleon’s astonishing offer to sell all of Louisiana. Through a volatile mix of leadership, luck, aggression, chicanery, rampant population growth, and self-confident ideology came the further acquisitions of Florida, Texas, Oregon, and the Southwest.

From the 1850s through the 1920s, America’s empire-building reached across the Pacific (from Alaska through Hawaii and Samoa to the Philippines) and around the Caribbean (from Cuba, Puerto Rico, and several “protectorates” to the Panama Canal and the Virgin Islands). After 1945, American expansion took a new global form, military and economic, and built on the need to contain the Soviet Union in the Cold War. After 2001 and the start of the “war on terror, ” it became both defensive and assertive.

Acclaimed historian Walter Nugent shows how the United States, asserting republican virtue but employing imperial force, has long lived with the contradiction inherent in Jefferson’s famous phrase “empire for liberty.” Enlightening, empathetic, comprehensive, and well-sourced, this book explains the deep roots of America’s imperialism as no other has done.
Among the early praise for Habits of Empire:
"Erudite yet accessible, Nugent's history lightly expresses its opinions without interrupting the arc of its story."
--Booklist

"Walter Nugent is a national treasure. No historian since Frederick Jackson Turner has done more to explain the enormous impact of westward expansion upon the American experience. Elegantly written, impeccably researched, Habits of Empire will soon take its place, I suspect, among the most important historical commentaries of our era."
--David Oshinsky, author of Polio: An American Story

"How did the United States come to regard itself as morally superior to other nations and entitled to employ force rather than persuasion to get its way? This lucid, wide-ranging book not only answers that question but offers essential understandings for those who wish to break the bad habits of empire."
--David J. Weber, author of Bárbaros: Spaniards and Their Savages in the Age of Enlightenment

"At last, the essential background, succinctly and clearly told, which is absolutely necessary to understand if we are to deal with the post-9/11 tragedies of American foreign policy. Walter Nugent rightly identifies those tragedies as the culminations of a post-1776 American 'ideology of expansion.'"
--Walter LaFeber, Tisch University Professor Emeritus, Cornell University, author of America, Russia, and the Cold War
Read an excerpt from Habits of Empire, and learn more about the book at the Knopf website.

Walter Nugent is Tackes Professor Emeritus of History at the University of Notre Dame. He taught history at the University of Notre Dame for sixteen years and at Indiana University for twenty-one years before that. As a visiting professor he has also taught, lectured, and lived in England, Israel, Germany, Poland, and Ireland. He has published eleven previous books and nearly two hundred essays and reviews. He is a past president of the Western History Association and a former member of the Council on Foreign Relations.

The Page 99 Test: Habits of Empire.

--Marshal Zeringue

Tuesday, June 17, 2008

Pg. 69: Janelle Brown's "All We Ever Wanted Was Everything"

The current feature at the Page 69 Test: Janelle Brown's All We Ever Wanted Was Everything.

About the novel, from the publisher:
A smart, comic page-turner about a Silicon Valley family in free fall over the course of one eventful summer.

When Paul Miller’s pharmaceutical company goes public, making his family IPO millionaires, his wife, Janice, is sure this is the windfall she’s been waiting years for — until she learns, via messengered letter, that her husband is divorcing her (for her tennis partner!) and cutting her out of the new fortune. Meanwhile, four hundred miles south in Los Angeles, the Millers’ older daughter, Margaret, has been dumped by her newly famous actor boyfriend and left in the lurch by an investor who promised to revive her fledgling post-feminist magazine, Snatch. Sliding toward bankruptcy and dogged by creditors, she flees for home where her younger sister Lizzie, 14, is struggling with problems of her own. Formerly chubby, Lizzie has been enjoying her newfound popularity until some bathroom graffiti alerts her to the fact that she’s become the school slut.

The three Miller women retreat behind the walls of their Georgian colonial to wage battle with divorce lawyers, debt collectors, drug-dealing pool boys, mean girls, country club ladies, evangelical neighbors, their own demons, and each other, and in the process they become achingly sympathetic characters we can’t help but root for, even as the world they live in epitomizes everything wrong with the American Dream. Exhilarating, addictive, and superbly accomplished, All We Ever Wanted Was Everything crackles with energy and intelligence and marks the debut of a knowing and very funny novelist, wise beyond her years.
Among the praise for the novel:
“A withering Silicon Valley satire... From the ashes of their California dreams, the three [women] must learn to talk to each other instead of past each other, and build a new, slightly more realistic existence—but not without doses of revenge and hilarity. Brown's hip narrative reads like a sharp, contemporary twist on The Corrections.”
Publishers Weekly

“A razor-sharp critique of the absurd expectations that, these days, have come to stand for ambition, All We Ever Wanted Was Everything is wrenching, riveting, and still manages to be great fun. This is a wise, intimate chronicle of one family’s struggle to take off their masks and live in the place they most feared: the real, imperfect world.”
—Meghan Daum, author of The Quality of Life Report

“Rarely does a first novelist write with such confidence and grace. All We Ever Wanted Was Everything is a marvelous book.”
—Ayelet Waldman, author of Love and Other Impossible Pursuits

“Janelle Brown's beautiful debut explores the tiny fissures in our lives and what happens when those fissures erupt into chasms. Excruciatingly funny, unrelentingly painful—this extraordinary book gives us something only the best novels can: a glimpse of what it means to be human.”
—Katherine Taylor, author of Rules for Saying Goodbye
Read an excerpt from All We Ever Wanted Was Everything, and watch the video trailer.

Learn more about the book and author at Janelle Brown's website and her blog.

Brown, formerly a senior writer for Salon, is a freelance journalist who writes for the New York Times, Vogue, Wired, Elle, and Self, among other publications. All We Ever Wanted Was Everything is her first novel.

The Page 69 Test: All We Ever Wanted Was Everything.

--Marshal Zeringue

Fifty best summer reads

The Independent came up with a list of the 50 best summer reads.

One novel on the list:
The Brief Wondrous Life of Oscar Wao by Junot Díaz

The writing of Junot Diaz contains a mixture of high and low culture familiar to anyone who reads the work of his American contemporaries – Michael Chabon, Dave Eggers, Jonathan Lethem. But Diaz’s work has the added element of dealing with the immigrant experience. This, his first full-length novel, is the vibrant tale of Oscar Wao, an overweight Dominican boy from New Jersey, and his family’s troubled Caribbean history.
Read about another book on the list.

The Page 99 Test: The Brief Wondrous Life of Oscar Wao.

--Marshal Zeringue

Monday, June 16, 2008

What is Elizabeth Wurtzel reading?

The current featured contributor to Writers Read: Elizabeth Wurtzel, recent graduate of Yale Law School and the author of Prozac Nation: Young and Depressed in America: A Memoir, Bitch: In Praise of Difficult Women, The Secret of Life: Commonsense Advice for Uncommon Women, and More, Now, Again: A Memoir of Addiction.

Her entry begins:
I'm afraid the answer is rather depressing: I'm studying for the New York bar exam, so I am mostly reading study books on civil and criminal procedure, real property, commercial paper and all the things they don't teach at Yale Law School. YLS is, by the way, a minor cult of the Constitution in the middle of Connecticut. Wonderful place, kind of a legal encampment held together by chewing gum and toothpicks and a registrar's office, but not a lot of law taught here.

In my spare time, I am trying to read the manuscript to Love Junkie by my friend Rachel Resnick, because I want to blurb it. But I'm having a hard time getting it done. [read on]
Writers Read: Elizabeth Wurtzel.

--Marshal Zeringue

Pg. 99: Jen Bryant's "Ringside, 1925"

The current feature at the Page 99 Test: Jen Bryant's Ringside, 1925: Views from the Scopes Trial.

About the book, from the publisher:
The year is 1925, and the students of Dayton, Tennessee, are ready for a summer of fishing, swimming, some working, and drinking root beer floats at Robinson’s Drugstore. But when their science teacher, J. T. Scopes, is arrested for having taught Darwin’s theory of evolution in class, it seems it won’t be just any ordinary summer in Dayton.

As Scopes’ trial proceeds, the small town is faced with astonishing, nationwide publicity: reporters, lawyers, scientists, religious leaders, and tourists. But amidst the circus-like atmosphere is a threatening sense of tension–not only in the courtroom, but among even the strongest of friends. This compelling novel in poems chronicles a controversy with a profound impact on science and culture in America–and one that continues to this day.
Among the praise for Ringside, 1925:
“Why not break the law and bring in some tourists? Conjuring fictionalized inhabitants of crumbling Dayton, Tenn., home of the infamous Scopes “monkey trial,” Bryant (The Trial) lets her characters speak directly, in well-honed verse that illuminates a broad range of perspectives. Overheard near a drugstore soda fountain, scheming business owners and a publicity-chasing superintendent get permission from a popular teacher, J.T. Scopes, to arrest him for violating the Butler Act, which bans the teaching of evolution. Adventure-seeking kids, skeptical journalists, erudite scientists, curious townsfolk and one shrill evangelical all have their say on the ensuing battle between silver-tongued prosecutor William Jennings Bryan and sharp-witted defense lawyer Clarence Darrow. Bryant obviously sympathizes with Darrow and the Darwinists, but she doesn't heavily stack the deck: the eloquent insights she attributes to her characters are evenly distributed. Nor does she go out of her way to emphasize the timeliness of the topic. The colorful facts she retrieves, the personal story lines and the deft rhythm of the narrative are more than enough invitation to readers to ponder the issues she raises."
--Publishers Weekly, starred review

"[A] compelling and well-researched novel. It is fast-paced, interesting, and relevant to many current first-amendment challenges."
--School Library Journal
Read an excerpt from Ringside, 1925. For educators and book groups, both the author and the publisher provide additional reading suggestions and websites as well as a downloadable discussion guide.

Jen Bryant teaches Children’s Literature at West Chester University and lives in Pennsylvania. She has published poetry, biographies for young readers, and picture books.

The Page 99 Test: Ringside, 1925.

--Marshal Zeringue

Sunday, June 15, 2008

Pete Hamill: five best books about cities

Pete Hamill, the former editor of the New York Post and Daily News, is the author of, most recently, the novel North River.

He named a five best list of books about cities for the Wall Street Journal. One title on the list:
Paris
by Andrew Hussey
Bloomsbury, 2006

Everybody is here in this history of the "secret city" of Paris: Knights Templar, flâneurs, great whores, artistic visionaries, charlatans, revolutionists, various Napoleons, Balzac and Camus, flat-out criminals, and even Joan of Arc. The writing is clear and exuberant, with a journalist's eye for the revealing details of place and character and a scholar's scrupulous regard for meaning. After reading "Paris," you will never see Europe's most beautiful city the same way. Or Parisians. A few years ago, when reading the book, I reminded a friend that one reason I love Paris (as Faulkner once said about Mississippi: in spite of, not because) is that it was founded by Celts, from a wandering tribe called the Parisii. They saw the Île de la Cité, protected by a flowing moat on all sides. The tribe's wandering was over. "If that's the case," my friend asked, "why is the food so good?" I paused and said: "Because they had the great good fortune to be conquered by the Romans, not the Brits."
Read about the book that topped Hamill's list.

--Marshal Zeringue

Pg. 69: Mark Schorr's "Fixation"

The current feature at the Page 69 Test: Mark Schorr's Fixation.

About the book, from the publisher:
Edgar nominee Mark Schorr introduced detective Brian Hanson to rave reviews in Borderline. Now, in this thrilling follow-up, Hanson is back--risking his reputation and his life.

A Vietnam vet with post-traumatic stress disorder and a history of substance abuse, Brian Hanson has turned his life around working as a counselor with some of Portland, Oregon’s, most troubled citizens.

When an FBI raid goes badly for his girlfriend, Special Agent Louise Parker, Louise comes under investigation by the very agency she is loyal to. Louise turns to Brian for support, but a cunning stalker is deliberately sabotaging all that is precious to her. And as the harasser grows more and more aggressive, there’s no telling who she can trust.

Taking readers from Portland’s mysterious underground tunnels, to computer dives in Seattle, to the back streets and alleyways of the Rose City, Fixation offers gripping characters with a rich sense of place, and the kind of psychological insights that only a counseling professional could bring to a thriller. It is a stunning novel from a multitalented crime star.
Among the early praise for Fixation:
“Excellent ... has suspense, action, surprises, and edge-of-the-seat thrills.”
--Phillip Margolin, New York Times bestselling author of Executive Privilege

“Will continue to haunt long after reading--moving, affecting, and powerful. Hanson is a unique hero, and Schorr a unique talent.”
--Greg Rucka, author of the Atticus Kodiak series
Fixation is Schorr's second novel in the acclaimed Brian Hanson thriller series.

Read the Prologue and Chapter One from Fixation, and learn more about the book and author at Mark Schorr's website.

Schorr, a psychotherapist for sixteen years in Portland, Oregon, is the author of eleven novels, including the Edgar-nominated Red Diamond, Private Eye.

The Page 69 Test: Fixation.

--Marshal Zeringue

Saturday, June 14, 2008

Shaun Tan's "The Lost Thing," the movie

Now showing at My Book, The Movie: Shaun Tan's The Lost Thing.

His write-up opens:
I have to say that I don't often think of my work in terms of film and casting, my mind is in the world of static, silent images most of the time. Also, there is some discussion currently of adapting The Arrival as a feature film and I wouldn't want to prejudice that by speculating on actors, directors and so forth - I'm really open to any suggestions. As most of my characters are anonymous, unnamed figures in my stories, I have a slight preference for 'no name' actors. However, in my picture book The Lost Thing (which is currently being adapted as an animated short), I imagined that the narrator's voice would be....[read on]
Learn more about The Arrival, The Lost Thing, and their author at Shaun Tan's website.

Tan is a freelance artist and author, concentrating mostly on writing and illustrating picture books. He has received numerous awards for his picture books, including the CBCA (Children’s Book Council of Australia) Picture Book of the Year Award for The Rabbits with John Marsden. In 2001 Tan was named Best Artist at the World Fantasy Awards in Montreal.

My Book, The Movie: The Lost Thing.

--Marshal Zeringue

What is Matthew Jarpe reading?

The latest featured contributor to Writers Read: Matthew Jarpe, author of the novel Radio Freefall and other science fiction stories.

One title among his recent reading:
Michael Chabon's The Yiddish Policemen's Union. I've always been a big fan of the Yiddish language and John Straley's series of Cecil Younger mysteries set in Sitka, Alaska. Both of these interests find an unlikely cohabitation in Chabon's latest novel. [read on]
Visit Matthew Jarpe's website to learn more about him and his work, and to read an excerpt from Radio Freefall.

Among the praise for Radio Freefall:
"It's the soul of rock and roll that saves the soul of humanity in this fun-house ride through the very near future. Jarpe has definitely got my attention!"
--Karl Schroeder, author of Sun of Suns

"If you can't quite believe that Californian rock'n'roll, space cowboys and liberated AIs can save the world from the fascist mediocrity of Unification, this book explains how it might be done, in a blithe spirit of which Noel Coward would surely have been proud, and with enough technical detail to gladden the heart of the most hardened technofetishist."
--Brian Stableford, author of Heterocosms

"The writing held me .... It depicts the bleak prospect of world government, some believable near-future technology, and characters I cared about. What can I say? I enjoyed this and think that those whose obsessions are SF and music will rave about it."
--Neal Asher, author of Brass Man
Writers Read: Matthew Jarpe.

--Marshal Zeringue

Pg. 99: Kasia Boddy's "Boxing: A Cultural History"

The current feature at the Page 99 Test: Kasia Boddy's Boxing: A Cultural History.

About the book, from the publisher:
Boxing is one of the oldest and most exciting of sports: its bruising and bloody confrontations have permeated Western culture since 3000 B.C. During that period, there has hardly been a time in which young men, and sometimes women, did not raise their gloved or naked fists to one other.

Throughout this history, potters, sculptors, painters, poets, novelists, cartoonists, song-writers, photographers and film-makers have been there to record and make sense of it all. In her encyclopaedic investigation of the shifting social, political and cultural resonances of this most visceral of sports, Kasia Boddy throws new light on an elemental struggle for dominance whose weapons are nothing more than fists. From Daniel Mendoza to Mike Tyson, boxers have embodied and enacted our anxieties about race, ethnicity, gender and sexuality. Looking afresh at everything from neo-classical sculpture to hip-hop lyrics, Boddy explores the way in which the history of boxing has intersected with the history of mass media, and sheds new light on the work of such diverse figures as Henry Fielding and Spike Lee, Charlie Chaplin and Philip Roth, James Joyce and Mae West, Bertolt Brecht and Charles Dickens. This all-encompassing study tells us just how and why boxing has mattered so much to so many.
Among the praise for Boxing: A Cultural History:
"A treasure trove for boxing historians and aficionados ... At nearly five hundred densely packed pages...Boxing: A Cultural History would seem to include everything that has ever been written, depicted or in any way recorded about boxing.... To read Boddy’s book is to confront dozens – hundreds? – of inspired mini-essays."
–Joyce Carol Oates, The New York Review of Books

"Boddy seldom misses a trick; her choices of what to include are invariably spot-on. Her subject is the interface between culture in its broadest sense and boxing, and the breadth and rigour of her research is astonishing ... she is just as sure-footed on the intricacies of boxing as in their depiction in literature, painting, film and television. She is clearly in love with the sport.
Financial Times

"Boddy’s book is a superb work of scholarship, spanning ancient Greece to Mike Tyson. Its reproduced lithographs and colour plates make the book, in its way, a handsome work of art in itself... Boddy referees this heavyweight 15-rounder with elegance, aplomb and rigour."
–Jonathan Rendall, New Statesman

"Boddy...intelligently takes up – via art, literature, film, and the media – the many issues that have historically veined the sport: 'nationality, class, race, ethnicity, religion, politics, and different versions of masculinity,' plus dialectics like 'brawn versus brains, boastfulness versus modesty, youth versus experience.' Her reach is considerable, but so is her grasp. The result is a sweeping critical history and a perfect power-to-weight ratio."
Atlantic Monthly

"Splendid and surprising.... The illustrations in Boxing alone are worth the price of the book.... The author's research is thorough, and her writing is sharp and crisp. Boxing easily pierces the aforementioned haze that surrounds the sport and gets to the crooked heart of the allure.... A perfect, polished frame."
Chicago Tribune

"Boddy is the kind of writer whose intelligence can bring together and reveal the patterns and resonances between such unlikely contenders as Plato, Scorsese, Fielding, Dickens and Keith Haring. It's a beautifully illustrated, expert, readable and startling expression of the dualities of all things."
–Ali Smith, author of The Accidental
Learn more about the book and author at the publisher's website and Kasia Boddy's faculty webpage.

Boddy teaches in the English Department at University College London and has published widely on British and American literature and film.

The Page 99 Test: Boxing: A Cultural History.

--Marshal Zeringue

Friday, June 13, 2008

Critic's chart: top country house books

Derwent May, who writes on nature, the countryside and literature for the London Times, named a "critic's chart" of top country house books.

One title from the list:
A House Unlocked by Penelope Lively

In an Edwardian house once owned by her grandmother, Lively finds objects that illuminate life then and now.
Read about the book that topped May's chart.

--Marshal Zeringue

Pg. 69: Wendy Lee's "Happy Family"

The current feature at the Page 69 Test: Wendy Lee's Happy Family.

About the book, from the publisher:
When Hua Wu arrives in New York City, her life seems destined to resemble that of countless immigrants before her. She spends her hectic days working in a restaurant in Chinatown, and her lonesome nights in a noisy, crowded tenement, yearning for those she left behind in Fuzhou, China.

But one day in a park in the West Village, a chance encounter alters the course of Hua’s life, as well as the lives of others. She meets Jane Templeton and her daughter, Lily, a two-year-old adopted from China. Eager to expose Lily to the language and culture of the country of her birth, Jane decides to hire Hua to be her nanny.

From the moment she steps into Jane’s brownstone apartment, Hua finds herself in a world far removed from the cramped streets of Chinatown or her grandmother’s home in Fuzhou. Jane, a museum curator of Asian art, and her husband, a theater critic, are cultured and successful. They pull Hua into their circle of family and friends until she is deeply attached to Lily and their way of life. But when cracks show in the family’s perfect façade, what will Hua do to protect the little girl who reminds her so much of her own past?

A beautiful and revelatory novel with a deceptively simple premise, Happy Family is a promising debut from a perceptive and graceful writer.
Among the early praise for Happy Family:
"Rich and multilayered, Lee's novel explores what it means to be a part of something, whether it's a family or a culture. Told in Hua's sparse, somber voice, the story grabs readers from the start and doesn't let go until the final page. A truly memorable first outing."
Booklist (starred review)

"This first novel uncoils slyly, then strikes with startling yet inevitable plot developments that unfold before the reader sees them coming....Hua's innate intelligence and irreducible sense of self resonate in every observation as she decodes the monied, impuslive lifestyle of the Templeton-Walkers, their cultured friends and the country that they call their own. A powerful debut."
Kirkus Reviews

"First novelist Lee's craftsmanship is evident in sparse but expressive prose. She carefully and insightfully handles the contentious issue of the adoption of Chinese children.....This debut delivers on the promise of Lee's interesting premise."
Library Journal

"Heartfelt….Impassionate storytelling."
Publishers Weekly

"Wendy Lee's moving and assured first novel unravels the tangled knot of international adoption to reveal its finest, most delicate threads: the uncertainties of parenthood, the unexpected affections between strangers, and, ultimately, the origins of enduring love."
—Dana Sachs, author of If You Lived Here and The House on Dream Street: Memoir of an American Woman in Vietnam

“Even just describing the premise of this novel brings a certain anxiety: a Chinese au pair is hired by a white couple who’ve adopted a Chinese daughter. Wendy Lee debuts with a quietly dangerous novel of domestic life, about that anxiety, asking the uncomfortable questions: who do we belong to and who do we belong with, and can we change that? The story moves among some of the new taboos in American life as we live it now, sure-footed and unflinching, funny and smart—a remarkable first novel.”
—Alexander Chee, author of Edinburgh

“For anyone who wants to delve into the troubled psyche of the many silent millions in this country, this moving tale of a young Chinese immigrant woman who is handpicked to care for a child closer to herself than its legal mother is required reading. Like the novel’s misleadingly innocuous title, Wendy Lee’s intentionally light hand allows for the showcasing of some very courageous and harrowing brush strokes.”
—Porochista Khakpour, author of Sons and Other Flammable Objects

“Lee’s sure-footed debut locates the raw nerve connecting two social phenomena—China’s one-child law and the adoption of Chinese babies by American parents. Hua, Lee’s stranger in a strange land, speaks in a soft but firm voice from the ineradicable margin.”
—Ed Park, author of Personal Days
Read an excerpt from Happy Family, and learn more about the book and author at Wendy Lee's website.

Wendy Lee is a graduate of Stanford University and New York University’s Creative Writing Program. She worked for two years in China as a volunteer English teacher.

The Page 69 Test: Happy Family.

--Marshal Zeringue

Thursday, June 12, 2008

Pg. 99: David Day's "Conquest"

The current feature at the Page 99 Test: David Day's Conquest: How Societies Overwhelm Others.

About the book, from the publisher:
In this bold, sweeping book, David Day surveys the ways in which one nation or society has supplanted another, and then sought to justify its occupation - for example, the English in Australia and North America, the Normans in England, the Spanish in Mexico, the Japanese in Korea, the Chinese in Tibet. Human history has been marked by territorial aggression and expansion, an endless cycle of ownership claims by dominant cultures over territory occupied by peoples unable to resist their advance. Day outlines the strategies, violent and subtle, such dominant cultures have used to stake and bolster their claims - by redrawing maps, rewriting history, recourse to legal argument, creative renaming, use of foundation stories, tilling of the soil, colonization and of course outright subjugation and even genocide. In the end the claims they make reveal their own sense of identity and self-justifying place in the world. This will be an important book, an accessible and captivating macro-narrative about empire, expansion, and dispossession.
Among the praise for Conquest:
“...Wide ranging and vigorously written...a clear and stimulating read.”
--BBC History Magazine

“History is the trunk of the humanities tree with the other disciplines — literary studies, economics, political science, etc — merely off-shoots. Or so I'm tempted to argue after reading a book as stimulating as this.... Day's wide-ranging investigations and lively writing give the idea a freshness that makes the book a pleasure to read and an eye-opener. ... This is history on the grand scale, but with an eye to the telling detail. ... This is a book to be welcomed. Here's a commercial publisher putting out what is essentially an academic work (complete with footnotes), but one conceived and executed in a way to make it accessible to intelligent readers.”
--Australian

“In Conquest David Day poses the question fundamental to all studies of imperial expansion by all societies: ‘how does a society that moves onto the land of another make that place its own?’ To find an answer he examines ten common strategies, ranging from striking a legal claim to colonization. This is a highly original approach. It demonstrates a spectacular knowledge of contrasting situations across the globe and forces the reader to rethink old certainties. It should be read by all students of ‘supplanting societies’ of all races and in all continents.”
--Emeritus Professor David Fieldhouse, Jesus College, Cambridge, author of The Colonial Empires
Learn more about Conquest: How Societies Overwhelm Others and the author at the Oxford University Press website and David Day's website.

David Day has written widely on Australian history and the history of the Second World War. His recent books include The Politics of War, the prize-winning biographies Chifley and John Curtin: A Life, and the best-selling history of Australia, Claiming a Continent.

The Page 99 Test: David Day's Conquest.

--Marshal Zeringue

What is Megan Hustad reading?

The latest contributor to Writers Read: Megan Hustad, author of How to Be Useful: A Beginner's Guide to Not Hating Work.

One book from her entry:
Geoff Dyer's Out of Sheer Rage. This came recommended by a friend, and it wasn't until p. 78 that I figured out why. From time to time you hear an author referred to as a "writers' writer," and it always struck me as a smug, damning charge. (A sure path to topping out at 4,000 copies net!) Dyer may be a writers' writer, and Out of Sheer Rage may be a writers' book. But few contemporary authors can make me wait for it, and wait for it, and get so irritated with him or her that I audibly scoff, and then finally, starting at the bottom of p. 224, and through the end (p. 232, so not long), swallow whole a rousing affirmation of...well, read it. I was smiling for days afterward. [read on]
Read an excerpt from How to Be Useful, and learn more about the book and author at Megan Hustad's website.

About How to Be Useful, from The Guardian:
“[A] book that presents itself as a guide to workplace success but that is really a (frequently hilarious) meditation on the notion of ambition…. We could all learn something, she suggests, from the much-mocked American ’success literature’ of the late 19th and early 20th centuries — books including [Napoleon] Hill’s, and Emily Post’s etiquette guides, and others with titles such as Getting On In The World, or Pushing To The Front, an 1890s bestseller.”
Read more reviews at Hustad's website.

Writers Read: Megan Hustad.

--Marshal Zeringue

Top ten philosophers' deaths

Simon Critchley is a Professor of Philosophy at The New School for Social Research and the author, most recently, of The Book of Dead Philosophers.

For the Guardian, he listed his top ten philosophers' deaths.

His ambition for the list:
"to show that often the philosopher's greatest work of art is the manner of their death."
One of the two twentieth-century philosophers on the list:
AJ Ayer (1910-1989)

The year before he died, after recovering from pneumonia in University College Hospital in London, Ayer choked on a piece of salmon, lost consciousness and technically died. His heart stopped for four minutes until he was revived. A day later, he had recovered and was talking happily about what had taken place during his death. He saw a bright red light which was apparently in charge of the government of the universe. The ministers for space were oddly absent, but Ayer could see the ministers in charge of time in the distance. Ayer then reports that he suddenly recalled Einstein's view that space and time were one and the same and tried to attract the attention of the ministers of time by walking up and down and waving his watch and chain. To no avail, however, and Ayer grew more and more desperate and then regained consciousness. Ayer was shaken by the experience and in an article for the Sunday Telegraph, he suggested that it did provide "rather strong evidence that death does not put an end to consciousness".
Read about the philosopher who died in cow dung.

--Marshal Zeringue